Contents (62)
- Contents
- Part One
- The Lady Killer
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Part Two
- The Twisted King
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Part Three
- The Shifting World
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Epilogue
- Acknowledgments
- Afterword
- Q&A with Kristin Cashore
- FIRE
- CHAPTER ONE
- CHAPTER TWO
- BITTERBLUE
- PROLOGUE
- PART ONE
- Stories and Lies
- CHAPTER ONE
- JANE, UNLIMITED
- Buy the Books
- About the Author
- Connect with HMH on Social Media
They found it was easier for him to pick up her thoughts than it was for her to formulate them. She thought things to him word by word at first, as if she were speaking, but silently. Do you want to stop and rest? Shall I catch us some dinner? I’ve run out of water. “Of course I understand you when you’re that precise,” he said. “But you don’t need to try so hard. I can understand images, too, or feelings, or thoughts in unformed sentences.”
This was also hard for her at first. She was afraid of being misunderstood, and she formulated her images as carefully as she’d formulated her words. Fish roasting over their fire. A stream. The herbs, the seabane, that she must eat with dinner.
“If you only open a thought to me, Katsa, I’ll see it—no matter how you think it. If you intend me to know it, I will.”
But what did it mean to open a thought to him? To intend for him to know it? She tried simply reaching out to his mind whenever she wanted him to know something. Po. And then leaving it to him to collect the essence of the thought.
It seemed to work. She practiced constantly, both communicating with him and closing him out. Slowly, the tightness of her mind loosened.
Beside the fire one night, protected from the rain by a shelter of branches she’d built, she asked to see his rings. He placed his hands into hers. She counted. Six plain gold rings, of varying widths, on his right hand. On his left, one plain gold; one thin with an inlaid gray stone running through the middle; one wide and heavy with a sharp, glittery white stone—this the one that must have scratched her that night beside the archery range; and one plain and gold like the first, but engraved all around with a design she recognized, from the markings on his arms. It was this ring that made her wonder if the rings had meaning.
“Yes,” he said. “Every ring worn by a Lienid means something. This with the engraving is the ring of the king’s seventh son. It’s the ring of my castle and my princehood. My inheritance.”
Do your brothers have a different ring, and markings on their arms that are different from yours?
“They do.”
She fingered the great, heavy ring with the jagged white stone. This is the ring of a king.
“Yes, this ring is for my father. And this,” he said, fingering the small one with the gray line running through the middle, “for my mother. This plain one for my grandfather.”
Was he never king?
“His older brother was king. When his brother died, he would’ve been king, had he wished it. But his son, my father, was young and strong and ambitious. My grandfather was old and unwell and content to pass the kingship to his son.”
And what of your father’s mother, and your mother’s father and mother? Do you wear rings for them?