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Contents ( 56)
  1. God Emperor of Dune
  2. INTRODUCTION
  3. PROLOGUE
  4. CHAPTER I
  5. CHAPTER II
  6. CHAPTER III
  7. CHAPTER IV
  8. CHAPTER V
  9. CHAPTER VI
  10. CHAPTER VII
  11. CHAPTER VIII
  12. CHAPTER IX
  13. CHAPTER X
  14. CHAPTER XI
  15. CHAPTER XII
  16. CHAPTER XIII
  17. CHAPTER XIV
  18. CHAPTER XV
  19. CHAPTER XVI
  20. CHAPTER XVII
  21. CHAPTER XVIII
  22. CHAPTER XIX
  23. CHAPTER XX
  24. CHAPTER XXI
  25. CHAPTER XXII
  26. CHAPTER XXIII
  27. CHAPTER XXIV
  28. CHAPTER XXV
  29. CHAPTER XXVI
  30. CHAPTER XXVII
  31. CHAPTER XXVIII
  32. CHAPTER XXIX
  33. CHAPTER XXX
  34. CHAPTER XXXI
  35. CHAPTER XXXII
  36. CHAPTER XXXIII
  37. CHAPTER XXXIV
  38. CHAPTER XXXV
  39. CHAPTER XXXVI
  40. CHAPTER XXXVII
  41. CHAPTER XXXVIII
  42. CHAPTER XXXIX
  43. CHAPTER XL
  44. CHAPTER XLI
  45. CHAPTER XLII
  46. CHAPTER XLIII
  47. CHAPTER XLIV
  48. CHAPTER XLI
  49. CHAPTER XLVI
  50. CHAPTER XLVII
  51. CHAPTER XLVIII
  52. CHAPTER XLIX
  53. CHAPTER L
  54. CHAPTER LI
  55. CHAPTER LII
  56. CHAPTER LIII

A man of boundless energy and enthusiasm, Frank Herbert possessed a mind that went in fifty directions at once. He was always thinking, always reading at every opportunity, always researching something. For each novel he wrote, he first pored over as many books as he could get his hands on about particular subjects, then spoke with scientists, doctors, and other experts. Time was critical to him, and he didn’t like to waste a moment of it. Physically and mentally, he went from point A to point B quickly. Sometimes he learned what he needed with a phone call. To see how easy it might be for an unbalanced, dangerous person to obtain the ingredients and materials necessary for recombinant DNA research (for the novel The White Plague), Dad acted as if he were a doctor and telephoned medical suppliers.

Frank Herbert was a man full of intriguing ideas, the most interesting person in any room. His personality, like the characters he created in his stories, was larger than life. He had a full, fantastic beard, and with his twinkling eyes, you never quite knew what he would say next. A reviewer for the New York Times once quipped that Frank Herbert’s head was so overloaded with ideas that it was likely to fall off. In God Emperor of Dune, my father described Leto II, who, through genetic processes, had acquired all human information. In “Pack Rat Planet” and Direct Descent, he wrote of a vast Galactic Library, a storehouse containing the written wisdom of humankind. Frank Herbert, like Leto II and the Galactic Library, was a repository of incredible, wondrous information. His words captivated millions of people all over the world.

My father respected his readers. He challenged them by using words they might have to look up in the dictionary, and kept them turning the pages with surprising twists and turns of plot and characterization. Who could have predicted that he would turn the hero myth of Paul Atreides upside down in the space of the first two novels in the Dune series, and show a dark path that humanity might find itself on if it followed a charismatic leader? This is a significant message, an urgent social warning that governments and leaders lie.

It is just one of many thought-provoking messages that Frank Herbert layered into his novels beneath the ongoing adventures, causing his readers to think about deep issues. But in his hands, the material never seems oppressive or boring, because he accomplished his art so cleverly, by deftly intertwining the messages with the unfolding action of the series. He was not pedantic, did not preach to his readers. He sought to entertain first, while teaching along the way.

I wrote a comprehensive biography of my father, Dreamer of Dune, a book that succeeded in capturing the essence of Frank Herbert. But he was more than any words could possibly describe, even those of a son who loved him. As much as I struggled to understand this complex, great man—and I made significant strides on that journey— I came to realize that he was always a step beyond any attempt to describe him, to capture him on the page. Even in death, he was still moving ahead, eluding discovery. I think about him every day, and about my incredible mother, Beverly Herbert. She understood him better than anyone, and I learned about him through her, as well as through my own observations and conversations I had with him. But often, thinking back, I find myself realizing something new and intriguing about Frank Herbert, something I had not previously noticed or considered. Concerning the spice melange, he wrote in his magnum opus, “It’s like life—it presents a different face each time you take it.” He was like that himself, different each time you looked at him.