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Contents ( 56)
  1. God Emperor of Dune
  2. INTRODUCTION
  3. PROLOGUE
  4. CHAPTER I
  5. CHAPTER II
  6. CHAPTER III
  7. CHAPTER IV
  8. CHAPTER V
  9. CHAPTER VI
  10. CHAPTER VII
  11. CHAPTER VIII
  12. CHAPTER IX
  13. CHAPTER X
  14. CHAPTER XI
  15. CHAPTER XII
  16. CHAPTER XIII
  17. CHAPTER XIV
  18. CHAPTER XV
  19. CHAPTER XVI
  20. CHAPTER XVII
  21. CHAPTER XVIII
  22. CHAPTER XIX
  23. CHAPTER XX
  24. CHAPTER XXI
  25. CHAPTER XXII
  26. CHAPTER XXIII
  27. CHAPTER XXIV
  28. CHAPTER XXV
  29. CHAPTER XXVI
  30. CHAPTER XXVII
  31. CHAPTER XXVIII
  32. CHAPTER XXIX
  33. CHAPTER XXX
  34. CHAPTER XXXI
  35. CHAPTER XXXII
  36. CHAPTER XXXIII
  37. CHAPTER XXXIV
  38. CHAPTER XXXV
  39. CHAPTER XXXVI
  40. CHAPTER XXXVII
  41. CHAPTER XXXVIII
  42. CHAPTER XXXIX
  43. CHAPTER XL
  44. CHAPTER XLI
  45. CHAPTER XLII
  46. CHAPTER XLIII
  47. CHAPTER XLIV
  48. CHAPTER XLI
  49. CHAPTER XLVI
  50. CHAPTER XLVII
  51. CHAPTER XLVIII
  52. CHAPTER XLIX
  53. CHAPTER L
  54. CHAPTER LI
  55. CHAPTER LII
  56. CHAPTER LIII

Moneo had spent two nights in Tuono once on an inspection tour. He remembered the smells of their cooking fires—aromatic bushes kindled and flaming in the dark. They would not use sunstoves because “that is not the most ancient way”.

Most ancient!

There was little smell of melange in Tuono. A sweet acridity and the musky oils of oasis shrubs, these dominated the odours. Yes… and the cesspools and the stink of rotting garbage. He recalled the God Emperor’s comment when Moneo had finished reporting on that tour.

“These Fremen do not know what is lost from their lives. They think they keep the essence of the old ways. This is a failure of all museums. Something fades; it dries out of the exhibits and is gone. The people who administer the museum and the people who come to bend over the cases and stare—few of them sense this missing thing. It drove the engine of life in earlier times. When the life is gone, it is gone.”

Moneo focused on the three Fish Speakers who stood just ahead of him on the bridge. They lifted their arms high and began to dance, whirling and skipping away from him only a few paces distant.

How odd, he thought. I’ve seen other people dance in the open, but never Fish Speakers. They only dance in the privacy of their quarters, in the intimacy of their own company.

This thought was still in his mind when he heard the first awful humming of the lasgun and felt the bridge lurch beneath him.

This is not happening, his mind told him.

He heard the Royal Cart scrape sideways across the roadbed, then the snap-slap of the cart’s cover slamming open. A bedlam of screams and cries arose from behind him, but he could not turn. The bridge’s roadbed had tipped steeply to Moneo’s right, spilling him on to his face while he went sliding toward the abyss. He clutched a severed strand of cable to stop himself. The cable went with him, everything grating in the spilling film of sand which had covered the roadbed. He clutched the cable with both hands, turning with it. He saw the Royal Cart then. It skewed sideways toward the edge of the bridge, its cover open. Hwi stood there, one hand steadying her on the folding seat while she stared past Moneo.

A horrible screaming of metal filled the air as the roadbed tipped even farther. He saw people from the cortège falling, their mouths open, arms waving. Something had caught Moneo’s cable. His arms were stretched out over his head as he turned once more, twisting. He felt his hands, greased by the perspiration of fear, slipping along the cable.

Once more, his gaze came around to the Royal Cart. It lay jammed against the stubs of broken girders. Even as Moneo looked, the God Emperor’s futile hands groped for Hwi Noree, but failed to reach her. She fell from the cart’s open end, silently, the golden gown whipping upward to reveal her body stretched out as straight as an arrow.