“But you gotta bat’ robe on him. What we want is muscles. Muscles, bo. Bigger an’ better than any picture of any strong man ever made. Put one here—an’ one there—”

“But that isn’t correct anatomy.”

“To hell wit’ that stuff. Put one there, I says.”

“But he’ll be out of drawing, awkward, absurd.”

“Say, listen, do you want ten bucks for painting this sign or shall I give it to some one else?”

“Very well. I’ll do as you say. Only—it isn’t right.”

Hugo walked out of the tent. A young man was bending over a huge sheet made of many lengths of oilcloth sewn together. He was a small person, with pale eyes and a white skin. Beside him stood the manager, eyeing critically the strokes applied to the cloth. In a semi-finished state was the young man’s picture of the imaginary Hogarth.

“That’s pretty good,” Hugo said.

The young man smiled apologetically. “It isn’t quite right. You can see for yourself you have no muscles there—and there. I suppose you’re Hogarth?”

“Yes.”

“Well—I tried to explain the anatomy of it, but Mr. Smoots says anatomy doesn’t matter. So here we go.” He made a broad orange streak.

Hugo smiled. “Smoots is not an anatomical critic of any renown. I say, Smoots, let him paint it as he sees best. God knows the other posters are atrocious enough.”

The youth looked up from his work. “Good God, don’t tell me you’re really Hogarth!”

“Sure. Why not?”

“Well—well—I—I guess it was your English.”

“That’s funny. And I don’t blame you.” Hugo realized that the young sign-painter was a person of some culture. He was about Hugo’s age, although he seemed younger on first glance. “As a matter of fact, I’m a college man.” Smoots had moved away. “But, for the love of God, don’t tell any one around here.”

The painter stopped. “Is that so! And you’re doing this—to make money?”

“Yes.”

“Well, I’ll be doggoned. Me, too. I study at the School of Design in the winter, and in the summer I come out here to do signs and lightning portraits and whatever else I can to make the money for it. Sometimes,” he added, “I pick up more than a thousand bucks in a season. This is my fourth year at it.”

There was in the young artist’s eye a hint of amusement, a suggestion that they were in league. Hugo liked him. He sat down on a box. “Live here?”

“Yes. Three blocks away.”

“Me, too. Why not come up and have supper with—my wife and me?”

“Are you married?” The artist commenced work again.

Hugo hesitated. “Yeah.”