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Contents ( 56)
  1. GENTLE JULIA
  2. * * *
  3. BOOTH TARKINGTON
  4. *
  5. Contents
  6. *
  7. *
  8. Gentle Julia
  9. *
  10. Chapter One
  11. *
  12. Chapter Two
  13. *
  14. Chapter Three
  15. *
  16. Chapter Four
  17. *
  18. Chapter Five
  19. *
  20. Chapter Six
  21. *
  22. Chapter Seven
  23. *
  24. Chapter Eight
  25. *
  26. Chapter Nine
  27. *
  28. Chapter Ten
  29. *
  30. Chapter Eleven
  31. *
  32. Chapter Twelve
  33. *
  34. Chapter Thirteen
  35. *
  36. Chapter Fourteen
  37. *
  38. Chapter Fifteen
  39. *
  40. Chapter Sixteen
  41. *
  42. Chapter Seventeen
  43. *
  44. Chapter Eighteen
  45. *
  46. Chapter Nineteen
  47. *
  48. Chapter Twenty
  49. *
  50. Chapter Twenty-One
  51. *
  52. Chapter Twenty-Two
  53. *
  54. Chapter Twenty-Three
  55. *
  56. * * *

"I guess not," said Florence. "Mr. Dill, there was a question I thought I'd ask you. It's kind of a funny question for me—"

"Are you sure nobody's heard from your Aunt Julia to-day?" Noble insisted.

"I guess they haven't. Mr. Dill, I was goin' to ask you—"

"It's strange," he murmured, "I don't see how people can enjoy visits that long. I should think they'd get anxious about what might happen at home."

"Oh, grandpa's all right; he says he kind of likes to have the house nice and quiet to himself; and anyway Aunt Julia enjoys visiting," Florence assured him. "Aunt Fanny saw a newspaper from one the places where Aunt Julia's visiting her school room-mate. It had her picture in it and called her 'the famous Northern Beauty'; it was down South somewhere. Well, Mr. Dill, I was just sayin' I believe I'd ask you—"

But a sectional rancour seemed all at once to affect the young man. "Oh, yes. I heard about that," he said. "Your Aunt Fanny lent my mother the newspaper. Those people in that part of the country—well—" He paused, remembering that it was only Florence he addressed; and he withheld from utterance his opinion that the Civil War ought to be fought all over again. "Your father said your grandfather hadn't heard from her for several days, and even then she hadn't said when she was coming home."

"No, I expect she didn't," said Florence. "Mr. Dill, I was goin' to ask you somep'n—it's kind of a queer kind of question for me to ask, I guess—" She paused. However, he did not interrupt her, seeming preoccupied with gloom; whereupon Florence permitted herself a deprecatory laugh, and continued, "It might be you'd answer yes, or it might be you'd answer no; but anyway I was goin' to ask you—it's kind of a funny question for me to ask, I expect—but do you like poetry?"

"What?"

"Well, as things have turned out lately I guess it's kind of a funny question, Mr. Dill, but do you like poetry?"

Noble's expression took on a coldness; for the word brought to his mind a thought of Newland Sanders. "Do I like poetry?" said Noble. "No, I don't."

Florence was momentarily discouraged; but at her age people usually possess an invaluable faculty, which they lose later in life; and it is a pity that they do lose it. At thirteen—especially the earlier months of thirteen—they are still able to set aside and dismiss from their minds almost any facts, no matter how audibly those facts have asked for recognition. Children superbly allow themselves to become deaf, so to speak, to undesirable circumstances; most frequently, of course, to undesirable circumstances in the way of parental direction; so that fathers, mothers, nurses, or governesses, not comprehending that this mental deafness is for the time being entirely genuine, are liable to hoarseness both of throat and temper. Thirteen is an age when the fading of this gift or talent, one of the most beautiful of childhood, begins to impair its helpfulness under the mistaken stress of discipline; but Florence retained something of it. In a moment or two Noble Dill's disaffection toward poetry was altogether as if it did not exist.