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Contents (56)
  1. GENTLE JULIA
  2. * * *
  3. BOOTH TARKINGTON
  4. *
  5. Contents
  6. *
  7. *
  8. Gentle Julia
  9. *
  10. Chapter One
  11. *
  12. Chapter Two
  13. *
  14. Chapter Three
  15. *
  16. Chapter Four
  17. *
  18. Chapter Five
  19. *
  20. Chapter Six
  21. *
  22. Chapter Seven
  23. *
  24. Chapter Eight
  25. *
  26. Chapter Nine
  27. *
  28. Chapter Ten
  29. *
  30. Chapter Eleven
  31. *
  32. Chapter Twelve
  33. *
  34. Chapter Thirteen
  35. *
  36. Chapter Fourteen
  37. *
  38. Chapter Fifteen
  39. *
  40. Chapter Sixteen
  41. *
  42. Chapter Seventeen
  43. *
  44. Chapter Eighteen
  45. *
  46. Chapter Nineteen
  47. *
  48. Chapter Twenty
  49. *
  50. Chapter Twenty-One
  51. *
  52. Chapter Twenty-Two
  53. *
  54. Chapter Twenty-Three
  55. *
  56. * * *

Therefore, on account of this probable lack of comprehension on the part of the family and public, it seemed to her that the only wise and good course to follow would be to claim nothing for herself, but to allow Herbert and Henry to remain undisturbed in full credit for publishing the Oriole. This involved a disappointment, it is true; nevertheless, she decided to bear it.

She had looked forward to surprising "the family" delightfully. As they fluttered in exclamation about her, she had expected to say, "Oh, the poem isn't so much, I guess—I wrote it quite a few days ago and I'm writing a couple new ones now—but I did take quite a lot o' time and trouble with the rest of the paper, because I had to write every single word of it, or else let Henry and Herbert try to, and 'course they'd just of ruined it. Oh, it isn't so much to talk about, I guess; it just sort of comes to me to do things that way."

Thirteen attempts to exercise a great philanthropy, and every grown person in sight, with the possible exception of Great-Uncle Joseph, goes into wholly unanticipated fits of horror. Cause and effect have no honest relation: Fate operates without justice or even rational sequence; life and the universe appear to be governed, not in order and with system, but by Chance, becoming sinister at any moment without reason.

And while Florence, thus a pessimist, sat beside fat Uncle Joseph during their long, long drive, relatives of hers were indeed going into fits; at least, so Florence would have described their gestures and incoherences of comment. Moreover, after the movies, straight into such a fitful scene did the luckless Herbert walk when urged homeward by thoughts of food, at about six that evening. Henry Rooter had strongly advised him against entering the house.

"You better not," he said earnestly. "Honest, you better not, Herbert!"

"Well, we got apple dumplings for dinner," Herbert said, his tone showing the strain of mental uncertainty. "Eliza told me this morning we were goin' to have 'em. I kind of hate to go in, but I guess I better, Henry."

"You won't see any apple dumplings," Henry predicted.

"Well, I believe I better try it, Henry."

"You better come home with me. My father and mother'll be perfectly willing to have you."

"I know that," said Herbert. "But I guess I better go in and try it, anyhow, Henry. I didn't have anything to do with what's in the Oriole. It's every last word ole Florence's doing. I haven't got any more right to be picked on for that than a child."

"Yes," Henry admitted. "But if you go and tell 'em so, I bet she'd get even with you some way that would probably get me in trouble, too, before we get through with the job. I wouldn't tell 'em if I was you, Herbert!"

"Well, I wasn't intending to," Herbert responded gloomily; and the thought of each, unknown to the other, was the same, consisting of a symbolic likeness of Wallie Torbin at his worst. "I ought to tell on Florence; by rights I ought," said Herbert; "but I've decided I won't. There's no tellin' what she wouldn't do. Not that she could do anything to me, particyourly—"