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Contents ( 56)
  1. GENTLE JULIA
  2. * * *
  3. BOOTH TARKINGTON
  4. *
  5. Contents
  6. *
  7. *
  8. Gentle Julia
  9. *
  10. Chapter One
  11. *
  12. Chapter Two
  13. *
  14. Chapter Three
  15. *
  16. Chapter Four
  17. *
  18. Chapter Five
  19. *
  20. Chapter Six
  21. *
  22. Chapter Seven
  23. *
  24. Chapter Eight
  25. *
  26. Chapter Nine
  27. *
  28. Chapter Ten
  29. *
  30. Chapter Eleven
  31. *
  32. Chapter Twelve
  33. *
  34. Chapter Thirteen
  35. *
  36. Chapter Fourteen
  37. *
  38. Chapter Fifteen
  39. *
  40. Chapter Sixteen
  41. *
  42. Chapter Seventeen
  43. *
  44. Chapter Eighteen
  45. *
  46. Chapter Nineteen
  47. *
  48. Chapter Twenty
  49. *
  50. Chapter Twenty-One
  51. *
  52. Chapter Twenty-Two
  53. *
  54. Chapter Twenty-Three
  55. *
  56. * * *

The veranda was dark, and to go indoors to the light might have involved too close a juxtaposition to peculiar old Mr. Atwater who was in the library; but the resourceful Newland, foreseeing everything, had brought with him a small pocket flashlight to illumine his manuscript. "It's vers libre, of course," he said as he moved the flashlight over the sheets of scribbled paper. "I think I told you I was beginning to give all the old forms up. It's the one new movement, and I felt I ought to master it."

"Of course," she said sympathetically, though with a little nervousness. "Be just a wee bit careful with the flashlight—about turning it toward the window, I mean—and read in your nice low voice. I always like poetry best when it's almost whispered. I think it sounds more musical that way, I mean."

Newland obeyed. His voice was hushed and profoundly appreciative of the music in itself and in his poem, as he read:

"I—And Love!
Lush white lilies line the pool
Like laces limned on looking-glasses!
I tread the lilies underfoot,
Careless how they love me!
Still white maidens woo me,
Win me not!
But thou!
Thou art a cornflower
Sapphire-eyed!
I bend!
Cornflower, I ask a question.
O flower, speak—"

Julia spoke. "I'm afraid," she said, while Newland's spirit filled with a bitterness extraordinary even in an interrupted poet;—"I'm afraid it's Mr. Dill coming up the walk. We'll have to postpone—" She rose and went to the steps to greet the approaching guest. "How nice of you to come!"

Noble, remaining on the lowest step, clung to her hand in a fever. "Nice to come!" he said hoarsely. "It's eight days—eight days—eight days since—"

"Mr. Sanders is here," she said. "It's so dark on this big veranda people can hardly see each other. Come up and sit with us. I don't have to introduce you two men to each other."

She did not, indeed. They said "H'lo, Dill" and "H'lo Sanders" in a manner of such slighting superiority that only the utmost familiarity could have bred a contempt so magnificent. Then, when the three were seated, Mr. Sanders thought well to add: "How's rent collecting these days, Dill? Still hustling around among those darky shanties over in Bucktown?"

In the dark Noble moved convulsively, but contrived to affect a light laugh, or a sound meant for one, as he replied, in a voice not entirely under control: "How's the ole poetry, Sanders?"

"What?" Newland demanded sharply. "What did you say?"

"I said: 'How's the ole poetry?' Do you read it to all your relations the way you used to?"

"See here, Dill!"

"Well, what you want, Sanders?"

"You try to talk about things you understand," said Newland. "You better keep your mind on collecting four dollars a week from some poor coloured widow, and don't—"

"I'd rather keep my mind on that!" Noble was inspired to retort. "Your Aunt Georgina told my mother that ever since you began thinkin' you could write poetry the life your family led was just—"