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Chapters (68)
  1. Title Page
  2. Copyright Notice
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Acknowledgments
  66. Also by Max Gladstone
  67. About the Author
  68. Copyright

Izza approached down the beach, and listened. “I don’t want to show things as they are,” the kid said. “Kid” also wasn’t right—he was at least ten years older than Izza. But he sounded like a kid. “What’s the use of showing them how they are if we don’t talk about how they could be?”

The old man laughed, a crumbling sound. “Don’t be an ass. I don’t blame you for writing damn fool love poetry. I said you shouldn’t write about riding horses unless you’ve ridden a horse. Especially not if you want to write lines like ’surging bone-white sides / and dew-sparked flanks at dawn.’”

“Would you tell Cathbart not to write about colors because he was blind? Or not to write about angelic battles because he’d never fought in one.”

“Cathbart fought in the Tyranomachia, back in Camlaan, and angels never made so grand a war. And he’d seen for forty years before he lost his sight. You think we forget how these work once we lose the use of them?” The old man’s hand shot out faster than Izza could follow or the poet could flinch, and rapped the kid’s skull.

“Oh. No. Gods, Mako. That’s not—”

He bared broken yellow teeth. “I’m telling you this for your own good.”

“You’ll let me perform?”

“Perform on the street if you want, I can’t stop you. And if you show up to the open stage, Eve won’t turn you away. But go up there with these and you’ll deserve all the rotten fruit they throw.”

The kid closed his book. “I need to think.”

“Go. Think. Tell me when you’re ready to do. Or, better yet, don’t tell me. Do first, and I’ll hear.”

The kid stormed off without sparing Izza a glance. The old man shrugged, and turned back to the surf. Izza crept closer.

“Not a bad poem,” Mako said to no one in particular. “All things considered. Needs a few more passes, tighter imagery. Not to mention he thinks he’s the only person on the planet ever thought of alliteration. But if we threw out every kid who thought they were god’s gift to whatever, we’d be short geniuses in a decade or so. So what are we to do?”

Izza decided to go. She’d hoped this Mako might be a fierce operator, but here he leaned on his stick, talking to waves.

She’d send him a note, explaining what happened. Then leave the island with Cat, if Cat would take her.

“I said, what are we to do?”

Mako was looking at her.

“Ah,” she said. “I don’t know.”

“What’d you sneak up on us for, if not to listen? Why listen, if not to form an opinion?”

She swallowed hard. “I. Um. You’re Mako.”