Chapters (68)
- Title Page
- Copyright Notice
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Acknowledgments
- Also by Max Gladstone
- About the Author
- Copyright
Myriad reflections offered Kai a choice of perspectives on her interviewer: a severe Craftswoman in a gray pinstriped suit, with black eyes, short white hair, and a thin wide mouth. Ms. Kevarian sat statue still. Her eyes held neither pity nor humor, only a curiosity like Kai had seen in birds’ eyes, alien, evaluative, and predatory.
Behind Ms. Kevarian sat her client, a shadow in a white suit, a smudge of gray with a broad and gleaming grin. Fingers like wisps of smoke never seemed to rest. They laced together and unlaced, and trailed down his lapels and along the chair’s arm without seeming to care whether the glass edge cut. He hadn’t spoken since they shook hands; nor had the Craftsman Jace sent into the dream to protect and advise Kai, a round-chested skeleton who bore down so heavily on his note-taking pad that Kai wondered if he might be writing with rips instead of ink.
“I thought your clients would have told you,” Kai said, and the Craftsman shot her a sharp look. Don’t get cute, Jace had cautioned her. So much for that.
Kai wished she looked nearly so cool or collected as Ms. Kevarian. She had a choice of perspectives on herself, too, and didn’t like what she saw: tan suit rumpled, a few strands loose from her tied-back hair, her round face strained. Gray circles lingered under her eyes, and a haunted look within them. Her mouth was dry. A glass of water stood on the table before her, but she feared its sharp edges and didn’t drink.
“I am asking you,” Ms. Kevarian said. “For the record.”
She felt small in front of this woman, and hated the feeling. When she remade her body she should have made herself taller. “I’ve never worked with your clients directly.”
“In general terms, then. What do priests do here on Kavekana Island?”
“We build and sustain idols—constructs of faith—for worshippers.”
“Would you say that you build gods?”
“No,” she said. “Gods are complex. Conscious. Sentient. The best idols look like gods, but they’re simpler. Like comparing a person to a statue: the resemblance is there, but the function’s different.”
“And what, precisely, is the … function of your idols?”
“Depends on the idol and the client. Some people want to worship fire, or fertility, or the ocean, or the moon. Changes from client to client.”
“What benefits would a worshipper derive from such a thing?”
Even such a simple question might be a trap. “The same as from a god. A fire idol might confer passion. Strength. Return on investment in various heat-related portfolios.”
“Why would someone work with one of your idols, and pay your commission, rather than deal with gods directly?”
“Each pilgrim has her own reason. Why don’t you ask your clients theirs?”
“I am asking you.”