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Chapters (68)
  1. Title Page
  2. Copyright Notice
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Acknowledgments
  66. Also by Max Gladstone
  67. About the Author
  68. Copyright

Myriad reflections offered Kai a choice of perspectives on her interviewer: a severe Craftswoman in a gray pinstriped suit, with black eyes, short white hair, and a thin wide mouth. Ms. Kevarian sat statue still. Her eyes held neither pity nor humor, only a curiosity like Kai had seen in birds’ eyes, alien, evaluative, and predatory.

Behind Ms. Kevarian sat her client, a shadow in a white suit, a smudge of gray with a broad and gleaming grin. Fingers like wisps of smoke never seemed to rest. They laced together and unlaced, and trailed down his lapels and along the chair’s arm without seeming to care whether the glass edge cut. He hadn’t spoken since they shook hands; nor had the Craftsman Jace sent into the dream to protect and advise Kai, a round-chested skeleton who bore down so heavily on his note-taking pad that Kai wondered if he might be writing with rips instead of ink.

“I thought your clients would have told you,” Kai said, and the Craftsman shot her a sharp look. Don’t get cute, Jace had cautioned her. So much for that.

Kai wished she looked nearly so cool or collected as Ms. Kevarian. She had a choice of perspectives on herself, too, and didn’t like what she saw: tan suit rumpled, a few strands loose from her tied-back hair, her round face strained. Gray circles lingered under her eyes, and a haunted look within them. Her mouth was dry. A glass of water stood on the table before her, but she feared its sharp edges and didn’t drink.

“I am asking you,” Ms. Kevarian said. “For the record.”

She felt small in front of this woman, and hated the feeling. When she remade her body she should have made herself taller. “I’ve never worked with your clients directly.”

“In general terms, then. What do priests do here on Kavekana Island?”

“We build and sustain idols—constructs of faith—for worshippers.”

“Would you say that you build gods?”

“No,” she said. “Gods are complex. Conscious. Sentient. The best idols look like gods, but they’re simpler. Like comparing a person to a statue: the resemblance is there, but the function’s different.”

“And what, precisely, is the … function of your idols?”

“Depends on the idol and the client. Some people want to worship fire, or fertility, or the ocean, or the moon. Changes from client to client.”

“What benefits would a worshipper derive from such a thing?”

Even such a simple question might be a trap. “The same as from a god. A fire idol might confer passion. Strength. Return on investment in various heat-related portfolios.”

“Why would someone work with one of your idols, and pay your commission, rather than deal with gods directly?”

“Each pilgrim has her own reason. Why don’t you ask your clients theirs?”

“I am asking you.”