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Chapters (68)
  1. Title Page
  2. Copyright Notice
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Acknowledgments
  66. Also by Max Gladstone
  67. About the Author
  68. Copyright

Before he could speak, she set a finger to her lips. He closed his mouth. Izza thanked whoever was responsible that she was a girl, and skinny. She might be a threat, but she didn’t look it. If she’d been larger, or a boy, Margot might have cried for help before he recognized her.

“Pick up your pen,” she said.

“What?”

“Your pen,” she repeated.

He looked down. In surprise he’d let the pen droop to paper, and a pool of green ink had welled around the tip. He wiped the pen and slid it into a metal stand. “Thank you.”

“Do you know me?”

He nodded. “From dreams. And”—hasty, remembering their last meeting—“the police station. The girl whose name isn’t Marthe.”

“That’s right.”

“You sought me.”

“You’re not hard to find.”

“Artists learn not to be. Obscurity is our mortal enemy. I’ve seen minstrels in Palatine stand between lanes of traffic, holding their sonnets overhead.” He mimed in miniature, hands not higher than his eyes. “Painted on pine boards, you know. Dripping. Atrocious calligraphy. The word ’God’ ends up indistinguishable from ’gad.’”

“Good poems?”

“Not as a rule.”

She leaned back against the balcony. “How did you find me at the watch station?”

“Visions,” he said, and covered his mouth, and coughed. “As I said.”

“Visions of the Blue Lady?”

Drunks stumbled down the alley behind her, singing sea shanties off-key. Margot’s eyes were the same shade as the ink spilled from his pen. Fear showed in the green, under light. “I hadn’t dreamed of her for weeks. You understand? Find the love of your life. Fear her at first. Welcome her into your mind, your work. And one morning, wake to find you’ve lost her for good. You cannot even dream her anymore. Watch your fame grow in her absence as you struggle to mate dead words on dry paper. Then, when you stand drunk in a spotlight reciting stale work, you see a vision, strong and clear as yours used to be—a girl, in danger.”

“You saw her.” Izza had not meant to whisper. “That night.”

“I didn’t,” he said. “I saw you. I knew where you were, and I tried to help. I thought you could lead me to her again.”

She’d felt nothing since the Lady died. No presence, no dreams. But Cat said ties still bound the faithful, even once their gods were gone. If so, she’d never be free, no matter how far she ran. Unless she gave the Lady up forever.

“Please,” Margot said. “Tell me about the Blue Lady. I miss her. Where did she go?”