Maldwin poured a cup of perfectly brewed coffee. “Milk and sugar?”

“Just some milk. I tell you, Maldwin, maybe you should start a butler school where I live in California.”

Maldwin dropped the pitcher on the counter. “Excuse me,” he said nervously.

“What’s the matter? Don’t you like California?” Regan teased.

“Too much sunshine,” he said, pouring another cup and placing it on Lydia’s tray.

What’s he so worried about? Regan wondered as she walked across the hall, unlocked the padlock with the key the police had given her, and stepped back into what she now thought of as the abyss.

54

Dolly and Bah-Bah looked like two forlorn and forgotten figures in the corner of Jacques Harlow’s loft. Movie equipment was all over the place. Up in his bed, which you had to climb a ladder to get to, Jacques was snoring like a jackhammer. They had filmed very late the previous night. The cast and crew were due back at noon.

Gray light filtered its way through the large, dirty windows, and the clock on the stove read 9:59.

The strident honk of the buzzer, indicating a visitor downstairs on the sidewalk, cut through the air. Several long honks later it finally penetrated Jacques’s consciousness and woke him up. He jumped out of bed and pressed the intercom.

“What?” he growled.

“Good news, boss.” It was one of his assistants, a squirmy little guy named Stewie, who had ambitions of Hollywood greatness.

“It better be good news. You woke me up.”

“Buzz me in.”

Jacques leaned on the button, specially installed next to his bed, and then descended the ladder. He walked over to the door and opened it just as Stewie was coming up the steps, bags with coffee and bagels in one hand, the newspaper in the other.

“Extra, extra, read all about it,” Stewie sang as he walked through the door and handed the New York World to Jacques.

“Read all about what?”

“The Settlers’ Club’s problems. A side article talks about our flick and how the club was used as a location.”

“My flick.”

“Whatever.” Stewie put the bags on the coffee table.

Jacques read for a minute, then threw the paper down. “Since when are you the producer?”

“I told her I was in production.”

Jacques rolled his eyes and lifted the paper up again. “Ah, here I am!

“‘The unpredictable and innovative director Jacques Harlow has his actors improvise their way through the story. It has been reported that two stuffed sheep belonging to the deceased club member, Nat Pemrod, became a part of the plot and were taken out of the club to be used at the next location.

“‘Thomas Pilsner, president of the club, whose girlfriend retrieved food from the apartment of Ben Carney, another deceased member, was upset that the sheep were taken without his permission. Perhaps his girlfriend would like to make leg of lamb of them.’”

“Here’s your coffee.”