Back Five Tuesdays in Winter
Chapters (13)
  1. Also by Lily King
  2. Dedication
  3. CREATURE
  4. FIVE TUESDAYS IN WINTER
  5. WHEN IN THE DORDOGNE
  6. NORTH SEA
  7. TIMELINE
  8. HOTEL SEATTLE
  9. WAITING FOR CHARLIE
  10. MANSARD
  11. SOUTH
  12. THE MAN AT THE DOOR
  13. ACKNOWLEDGMENTS

Eventually he drifted off, her nipple hanging from his lips like a cigar. She read her words several more times trying not to condemn them, straining to catch the faintest echo of what she thought she’d heard before. Just as she lifted her pencil, the doorbell rang. She glanced in its direction through the walls and shook her head. It rang again. The threat of losing any more of this precious time forced another sentence out of her. Then the doorbell was held down so long the chimes played notes she didn’t recognize.

“I’m not coming,” she said quietly.

Sharp knocks began on the thin side window, growing louder and louder until she was certain a hand would shatter through before she could reach the door. She swung it open wide.

“That’s enough!” she said in a harsh whisper. She wasn’t about to wake the baby up for this man on her porch, a man who did not hesitate to knock on glass as if it were solid steel. His knuckles, she saw, were red as he dropped them into his pocket.

“What are you selling?” Usually she would have cared—about her tone, her bathrobe, the great bulb of breast and the dark brown areola still tenuously attached to the baby’s mouth—but her anger consumed all weaker concerns.

He held out a thin paperback.

“No thanks,” she said, more civilly now, understanding the knocking was part of a religious fervor, a feeling, perhaps accurate, that this house or half of a house (their childless neighbors were rarely home, never shared the brunt of the peddling that went on during the day) needed conversion.

“I’ve come from Smything and Sons,” the man said.

“Who?”

“The publishing house.” He shook the book at her. “They’ve given me this and I’ve come to talk to you about it.”

She shifted the baby upward, hoping to cover up a little more. “Why?” She read the largest words on the cover. It was the working title of her novel, the one in the notebooks on her kitchen table. She pinched the book between her thumb and fingers but could not loosen it from the man’s grasp. “Give me that.” Then she let go. The sound of her own voice scared her. It was her voice as a small child. She even felt the slight resistance of the words in her mouth, as if language were still somewhat new. “Please,” she added.

“That’s what I’ve come to do. Will you have me in?”