Back First Among Sequels
Chapters (48)
  1. First Among Sequels
  2. Thursday Next Book 5
  3. Jasper Fforde
  4. ALSO BY JASPER FFORDE
  5. FirstAmongSequels
  6. Jasper Fforde
  7. Contents
  8. Author’s Note
  9. FirstAmongSequels
  10. Breakfast
  11. Mum and Polly and Mycroft
  12. Acme Carpets
  13. Jurisfiction
  14. Training Day
  15. The Great Library andCouncil of Genres
  16. A Probe Inside Pinocchio
  17. Julian Sparkle
  18. Core Containment
  19. The Well of Lost Plots
  20. The Refit
  21. Kids
  22. The ChronoGuard
  23. Home Again
  24. Cheese
  25. Breakfast Again
  26. Aornis Hades
  27. The Goliath Corporation
  28. The Austen Rover
  29. Holmes
  30. Next
  31. The Piano Problem
  32. Policy Directives
  33. The Paragon
  34. Thursday Next
  35. Bound to the Outland
  36. The Discreet Charmof the Outland
  37. Time Out of Joint
  38. Now Is the Winter
  39. Spending the Surplus
  40. The Austen Rover Roving
  41. Somewhere Else Entirely
  42. Rescue/Capture
  43. The Bees, the Bees
  44. Senator Jobsworth
  45. The Great Samuel Pepys Fiasco
  46. The End of Time
  47. A Woman NamedThursday Next
  48. My Thanks to:

“Is it true you have a chair at the Council of Genres?” asked Thursday5 with a sense of wholly unwarranted awe in her voice.

“And a table, too. As an Outlander I don’t have the strictures of the narrative to dictate my actions, so I’m quite good at forward planning and—Hang on a moment.”

Recalling Landen’s writer’s block, I ducked into a bric-a-brac store full of plot devices, props, backstories and handy snatches of verbal banter for that oh-so-important exchange. I made my way past packing cases full of plot twists and false resolutions and walked up to the counter.

“Hello, Murray.”

“Thursday!” replied the owner of the store, a retired gag-and-groan man who had worked the Comedy genre for years before giving it all up to run a used-plot shop. “What can I do you for?”

“A plot device,” I said somewhat vaguely. “Something exciting that will change a story from the mundane to the fantastic in a paragraph.”

“Budget?”

“Depends on what you’ve got.”

“Hmm,” said the shopkeeper, thinking hard and staring at the wall of small drawers behind him, which made it look a little like an apothecary’s shop. On each drawer there was a painted label denoting some exciting and improbable plot-turning device. “Tincture of breathlessness,” said one, and “Paternal root,” read another.

“How about a Suddenly a shot rang out? That’s always a safe bet for mysteries or to get you out of a scrape when you don’t know what to do next.”

“I think I can afford something better than that. Got anything a bit more…complex?”

Murray looked at the labels on the drawers again. “I’ve got a And that, said Mr. Wimple, was when we discovered…the truth.”

“Too vague.”

“Perhaps, but it’s cheap. Okay. How about a Mysterious stranger arriving during a thunderstorm? We’ve got a special on this week. Take the stranger and you can have a corrupt local chief of police and an escaped homicidal lunatic at no extra charge.”

But I was still undecided.

“I was thinking of something more character-than plot-led.”

“I hope you’ve got deep pockets,” said the shopkeeper ominously and with a trace of annoyance, as the line behind me was becoming longer by the second.

“How about the arrival of a distant and extremely eccentric ex-military uncle upsetting the delicate balance of the ordered household?”

“That sounds like just the thing. How much?”

“He was pulled out complete and unused a few days ago. Took a lot of skill to pluck him out of the narrative without damage, and with all ancillary props and walk-ons—”

“Yes, okay, okay, I get the picture—How much?”

“To you, a thousand guineas.”

“I get the uncle fully realized for that, yes?”

“He’s over there.”