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Chapters (48)
  1. First Among Sequels
  2. Thursday Next Book 5
  3. Jasper Fforde
  4. ALSO BY JASPER FFORDE
  5. FirstAmongSequels
  6. Jasper Fforde
  7. Contents
  8. Author’s Note
  9. FirstAmongSequels
  10. Breakfast
  11. Mum and Polly and Mycroft
  12. Acme Carpets
  13. Jurisfiction
  14. Training Day
  15. The Great Library andCouncil of Genres
  16. A Probe Inside Pinocchio
  17. Julian Sparkle
  18. Core Containment
  19. The Well of Lost Plots
  20. The Refit
  21. Kids
  22. The ChronoGuard
  23. Home Again
  24. Cheese
  25. Breakfast Again
  26. Aornis Hades
  27. The Goliath Corporation
  28. The Austen Rover
  29. Holmes
  30. Next
  31. The Piano Problem
  32. Policy Directives
  33. The Paragon
  34. Thursday Next
  35. Bound to the Outland
  36. The Discreet Charmof the Outland
  37. Time Out of Joint
  38. Now Is the Winter
  39. Spending the Surplus
  40. The Austen Rover Roving
  41. Somewhere Else Entirely
  42. Rescue/Capture
  43. The Bees, the Bees
  44. Senator Jobsworth
  45. The Great Samuel Pepys Fiasco
  46. The End of Time
  47. A Woman NamedThursday Next
  48. My Thanks to:

I told him I’d go down there straightaway, and he thanked me, wished me good luck and departed. I had a few minutes to spare before Thursday5 got back, so I checked the card-index databases for anything about Superreaders, of which there was frustratingly little. Most Superreader legends had their base in the Text Sea, usually from word fishermen home on leave from scrawltrawlers. The issue was complicated by the fact that one Superread is technically identical to a large quantity of simultaneous reads, so only an examination of a book’s maintenance log would identify whether it had been a victim or not.

Thursday5 returned exactly on time, having spent the lunch hour in a mud bath, the details of which she felt compelled to tell me—at length. Mind you, she was a lot more relaxed than I was, so something was working. We stepped outside, and after I argued with TransGenre Taxis’ dispatch for five minutes, we read ourselves to the Great Library, then took the elevator and descended in silence to the subbasements, which had been known colloquially as the Well of Lost Plots for so long that no one could remember their proper name—if they’d ever had one. It was here that books were actually constructed. The “laying of the spine” was the first act in the process, and after that a continuous series of work gangs would toil tirelessly on the novel, embedding plot and subtext within the fabric of the narrative. They carefully lowered in the settings and atmosphere before the characters, fresh from dialogue training and in the presence of a skilled imaginator, would record the book onto an ImaginoTransferoRecordingDevice ready for reading in the Outland. It was slow, manpower-intensive and costly—any Supervising Book Engineer who could construct a complex novel in the minimum of time and on budget was much in demand.

“I was thinking,” said Thursday5 as the elevator plunged downward, “about being a bit more proactive. I would have been eaten by that tiger, and it was, I must confess, the seventh time you’ve rescued me over the past day and a half.”

“Eighth,” I pointed out. “Remember you were attacked by that adjectivore?”

“Oh, yes. It didn’t really take to my suggestion of a discussion group to reappraise the passive role of grammasites within the BookWorld, now, did it?”

“No. All it wanted was to tear the adjectives from your still-breathing body.”

“Well, my point is that I think I need to be more aggressive.”

“Sounds like a good plan,” I replied. “If a situation arises, we’ll see how you do.”