Back Fire Season
Chapters (41)
  1. Cover
  2. Raves for Stephen Blackmoore’s Eric Carter novels:
  3. Novels by Stephen Blackmoore available from DAW Books:
  4. ACKNOWLEDGMENTS
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. ABOUT THE AUTHOR

My eye snags on an entry. It’s not what I’m looking for, but it’s interesting nonetheless. The entry reads, “Browning 9mm Hi-Power—Nazi artifact—MELT DOWN ASAP—DO NOT LISTEN TO IT.” That’s slightly alarming. But there’s nothing here that says why, or what it would say. As far as I can tell, the Browning just makes much bigger holes than normal, feels disgusting to hold, and gives off an air of disappointment whenever I don’t kill someone with it. There are times I’ve wondered if it had a mind of its own, and now I’m pretty sure it does. But you can say that for any magical artifact. I get the same sense from my time-twisting pocket watch, though I’m never creeped out over picking it up like the Browning.

I found the gun in the attic of my parents’ house when I was fifteen. If it’s listed here, then what was it doing there? Who took it out and why? A mystery for another day, I guess.

I keep going until I find an entry for a compact makeup mirror that shows an image of what you’re looking for and tilts in its direction. There’s a note next to the entry. “V. POWERFUL.” That sounds like just what I need. And thank fuck it’s not the kewpie doll. I got enough of creepy dolls in Mexico to last a couple lifetimes.

The mirror’s in a storage unit in Sherman Oaks. I haven’t been inside this one yet, but I know where the keys and codes for it are, including instructions to get past the wards keeping it safe. When I got them, I put them all in a safe deposit box in Van Nuys. For once I won’t have to slog across all of L.A. to get where I’m going. When I get a chance I really need to see if there’s a teleportation charm somewhere in the ledger.

It doesn’t take long to get to the bank in Van Nuys and then to the storage unit in Sherman Oaks, a nondescript two-story box covered in stucco with a gated-off parking lot. There’s an office, surveillance cameras, a loading dock. Everything you’d expect to see.

I punch a code into a keypad next to the gate and it slides open, too silently to be normal. The office is closed. There are no hours posted. I peer in through the glass doors and see everything I would expect to see, only it looks too clean, too uniform. In fact, now that I’m looking, everything looks too clean. The parking lot asphalt is too black, the painted parking lines too white. There are no scratches on the doors, no dings in the paint, chips in the stucco.