To my surprise, Fly the Flag didn’t share the general decay along the avenue. Rose Dorrado’s story had half persuaded me that Frank Zamar was engineering his company’s demise himself, but, if he was, I’d have expected him to let the plant itself run down: a lot of arson is caused by malign neglect—letting buildings carry more power than their wiring can stand, not repairing frayed wires, letting garbage accumulate in strategic corners—rather than outright torching. At least from the outside, Fly the Flag looked in good shape.

Flashlight in hand, I made my way around the exterior. The yard was small, big enough for an eighteen-wheeler to maneuver in if necessary, but not for much more than that. A drive led down to a basement-level loading dock; there were two ground-level entrances.

I walked all the way around the building, looking for holes in the foundation, looking for cuts in the electric cable and gas line leading into the plant, or for footprints in the damp ground, but didn’t see anything unusual. All of the entrances were locked; when I probed with my picklocks, I didn’t feel any obstructions.

I looked at my watch: six-oh-seven. Flashlight trained on the lock, I used my picks to open the rear door. Someone from the Skyway might see me, but I doubted anyone up there cared enough about life down here to call the cops.

Inside the plant, the layout was pretty simple: a large open floor where the giant cutting and pressing machines stood, long tables where people sewed, all dominated by the biggest American flag I’d ever seen. When I shone my flashlight up on it, the stripes looked so soft and rich I wanted to touch them. By climbing up on a tabletop and stretching up a hand, I could just reach the bottom stripe. It felt like a silken velvet, so voluptuous that I wanted to hug it to myself. The careful stitching along the stripes showed the workers believed in the slogan they’d posted above it: “We Fly the Flag Proudly.”

I jumped down and wiped my footprints from the table before continuing to explore. In one corner, space had grudgingly been given over to a tiny canteen, a dirty toilet, and a minute office where Frank Zamar did his paperwork. In an alcove next to the canteen stood a row of beat-up metal lockers, enough that I guessed they must be for employees to store their personal things in during the day.

On the other side of the room, an open-sided service elevator went down to the basement. I used its hand crank to lower myself. The front opened onto the dock; the rear to the storeroom where bolts of fabric were kept. There were hundreds of bolts of all different colors and long spools of braid, even a wire cage holding flagpoles of different lengths. Everything the compleat flag producer required.