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Chapters (49)
  1. Cover
  2. Farewell Summer
  3. Dedication
  4. CONTENTS
  5. Almost Antietam
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Shiloh and Beyond
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Appomattox
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Afterword
  46. FAREWELL SUMMER
  47. Also By Ray Bradbury
  48. Copyright
  49. About The Publisher

Farewell Summer is actually an extension of my book Dandelion Wine, which I completed fifty-five years ago. When I delivered it to my publishers they said, ‘My God, this is much too long. Why don’t we publish the first 90,000 words as a novel and keep the second part for some future year when you feel it is ready to be published.’ At the time, I called the full, primitive version The Blue Remembered Hills. The original title for what would become Dandelion Wine was Summer Morning, Summer Night. Even all those years ago, I had a title ready for this unborn book: Farewell Summer.

So, it has taken all these years for the second part of Dandelion Wine to evolve to a point where I felt it was correct to send it out into the world. During the ensuing years, I waited for those parts of the novel to attract further ideas and further metaphors to add richness to the text.

Surprise is everything with me. When I go to bed at night I give myself instructions to startle myself when I wake in the morning. That was one of the great adventures in letting this novel evolve: my instructions at night and my being startled in the morning by revelations.

The influence of my grandparents and my aunt, Neva Bradbury, is in evidence all through the narrative. My grandfather was a very wise and patient man, who knew the importance of showing, not simply telling. My grandmother was a wonderful woman who had an innate understanding of what made boys tick. And my aunt Neva was the guardian and gardener of the metaphors that became me. She saw to it that I was fed all the best fairy tales, poetry, cinema, and theater, so that I was continually in a fever about life and eager to write it all down. Today, all these years later, I still feel in the writing process that she is looking over my shoulder and beaming with pride.

Beyond that there is very little to add except that I’m glad that the long haul of writing this novel is finished and I hope that there is pleasure in it for everyone. It has been a great pleasure for me, to revisit my beloved Green Town – to gaze up at the haunted house, to hear the deep gongs of the courthouse clock, to run through the ravine, to be kissed by a girl for the first time, and to listen to and learn from the wisdom of those who have gone before.

FAREWELL SUMMER

One of the greatest writers of science fiction and fantasy in the world today, Ray Bradbury was born in Waukegan, Illinois, in 1920. He moved with his family to Los Angeles in 1934. He published some 500 short stories, novels, plays, scripts and poems since his first story appeared in Weird Tales when he was twenty years old. In 1947 he married Marguerite McClure, with whom he had four daughters, now grown.