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Chapters (49)
  1. Cover
  2. Farewell Summer
  3. Dedication
  4. CONTENTS
  5. Almost Antietam
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Shiloh and Beyond
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Appomattox
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Afterword
  46. FAREWELL SUMMER
  47. Also By Ray Bradbury
  48. Copyright
  49. About The Publisher

A huge question mark, painted on a plywood shingle, hung over the tent entryway. The tent had been erected on one side of the lakefront grounds, and the entrance gave way into the darkness of a haphazardly constructed plywood lean-to museum. Inside was a series of platforms on which were no freaks, no beasts, no magicians, no people. Somehow, overnight, this mystery tent had appeared, as if it had pitched itself.

Across town, Quartermain smiled.

That morning, in school, Doug had found an unsigned handwritten note in his desk. Its message was simple, written with black ink in large block letters: ‘THE MYSTERY OF LIFE EXPLAINED.??? AT THE LAKEFRONT. LIMITED TIME ONLY.’ Doug passed the note among his friends, and as soon as school let out for the day, the boys had rushed down here, as fast as their feet could carry them. Now, entering the question mark tent with his friends, Doug was incredibly disappointed. Migawd, no bones, no dinosaurs, no mad generals at war, he thought. Nothing but night-dark canvas and flat platforms and … Douglas peered. Charlie squinted. Will, Bo, and Tom came last into the smell of old wood and tar-paper. There wasn’t even a curator with a tall hat and baton to guide them along. There was only—

On top of a series of small tables were a number of large one-and two-gallon jars filled to the brim with a thick, clear liquid. Each jar was topped by a glass lid, and each lid had a red number on it – twelve in all – each number, painted in a shaky hand. And inside each of the jars … maybe that was it, at last, the things implied by the huge question mark outside.

‘Heck,’ muttered Bo. ‘There’s nothing here. What a gyp. So long, you guys.’

And Bo turned, pushed the tent flap aside, and left.

‘Wait,’ said Douglas, but Bo was already gone. ‘Tom, Charlie, Will, you won’t leave, will you? You’ll miss out if you go.’

‘But there’s nothing here, just some old jars.’

‘Wait,’ said Doug. ‘It’s more than just jars. What’s in the jars? C’mon. Let’s look closer.’

They edged up to the platform and crept along, staring into the jars, one after another. There were no labels to tell them what they were looking at, just glass and liquid and a soft light that seemed to pulse within the liquid and shone on their eager, sweaty faces.

‘What is that stuff in there?’ asked Tom.

‘Gosh knows. Look close.’

Their eyes moved along, darted and stayed, stayed and darted, fastened and examined until their noses dilated and their mouths gaped.

‘What’s that, Doug? And that? And that one there?’

‘How do I know? Move!’ Doug went back to the beginning of the row and crouched down in front of the first jar so his eyes were level with whatever was inside it.