Back Farewell Summer
Chapters (49)
  1. Cover
  2. Farewell Summer
  3. Dedication
  4. CONTENTS
  5. Almost Antietam
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Shiloh and Beyond
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Appomattox
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Afterword
  46. FAREWELL SUMMER
  47. Also By Ray Bradbury
  48. Copyright
  49. About The Publisher

Here, suddenly, was the immense, frightening machinery of the Enemy, the Teller of Lives and Time. Here was the core of the town and its existence. Doug could feel all of the lives of the people he knew moving in the clock, suspended in bright oils and meshed in sharp cogs and ground down in clamped springs that clicked onward with no stopping. The clock moved silently. And now he knew that it had never ticked. No one in the town had ever actually heard it counting to itself; they had only listened so hard that they had heard their own hearts and the time of their lives moving in their wrists and their hearts and their heads. For here was only cold metal silence, quiet motion, gleams and glitters, murmurs and faint whispers of steel and brass.

Douglas trembled.

They were together at last, Doug and the clock that had risen like a lunar face throughout his life at every midnight. At any moment the great machine might uncoil its brass springs, snatch him up, and dump him in a grinder of cogs to mesh its endless future with his blood, in a forest of teeth and tines, waiting, like a music box, to play and tune his body, ribboning his flesh.

And then, as if it had waited just for this moment, the clock cleared its throat with a sound like July thunder. The vast spring hunched in upon itself as a cannon prepares for its next concussion. Before Douglas could turn, the clock erupted.

One! Two! Three!

It fired its bells! And he was a moth, a mouse in a bucket being kicked, and kicked again. An earthquake shook the tower, jolting him off his feet.

Four! Five! Six!

He staggered, clapping his hands over his ears to keep them from bursting.

Again, again – Seven! Eight! – the tempest tore the air. Shaken he fell against the wall, eyes shut, his heart stopped with each storm of sound.

‘Quick!’ Douglas shouted. ‘The crackers!’

‘Kill the darn thing!’ shouted Tom.

‘I’m supposed to say that,’ said Doug. ‘Kill it!’

There was a striking of matches and a lighting of fuses and the crackers were thrown into the maw of the vast machine.

Then there was a wild stomping and commotion as the boys fled.

They bolted through the third–floor window and almost fell down the fire escape and as they reached the bottom great explosions burst from the courthouse tower; a great metal racketing clangor. The clock struck again and again, over and over as it fought for its life. Pigeons blew like torn papers tossed from the roof. Bong! The clock voice chopped concussions to split the heavens. Ricochets, grindings, a last desperate twitch of hands. Then …

Silence.

At the bottom of the fire escape all the boys gazed up at the dead machine. There was no ticking, imagined or otherwise, no singing of birds, no purr of motors, only the soft exhalations of sleeping houses.