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Chapters (33)
  1. FANTOMAS: THE CORPSE WHO KILLS
  2. credits
  3. INTRODUCTION
  4. FOREWORD
  5. CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
  6. CHAPTER TWO : THOMERY’S TWO LOVES
  7. CHAPTER THREE : UNEXPECTED COMPLICATIONS
  8. CHAPTER FOUR : A SURPRISING ITINERARY
  9. CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
  10. CHAPTER SIX : IN THE OPPOSITE SENSE
  11. CHAPTER SEVEN : PEARLS AND DIAMONDS
  12. CHAPTER EIGHT : END OF THE BALL
  13. CHAPTER NINE : FINGER PRINTS
  14. CHAPTER TEN : IDENTITY OF A NAVVY
  15. CHAPTER ELEVEN : AN AUDACIOUS THEFT
  16. CHAPTER TWELVE : INVESTIGATIONS
  17. CHAPTER THIRTEEN : RUE RAFFET
  18. CHAPTER FOURTEEN : SOMEONE TELEPHONED
  19. CHAPTER FIFTEEN : VAGUE SUSPICIONS
  20. CHAPTER SIXTEEN : DISCUSSIONS
  21. CHAPTER SEVENTEEN : AN ARREST
  22. CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
  23. CHAPTER NINETEEN : CRIMINAL OR VICTIM
  24. CHAPTER TWENTY : UNDER THE HOODED MASK
  25. CHAPTER TWENTY-ONE : IN A PRISON VAN
  26. CHAPTER TWENTY-TWO : AN EXECUTION
  27. CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
  28. CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
  29. CHAPTER TWENTY-FIVE : A RAT TRAP
  30. CHAPTER TWENTY-SIX : IN THE JAWS
  31. CHAPTER TWENTY-SEVEN : THE IMPRINT
  32. CHAPTER TWENTY-EIGHT : COURAGE
  33. BACK COVER

Monsieur Nanteuil’s shock can be imagined when, having unsealed and opened the hand-cart, he realised that the sacks of gold had been replaced by sacks of lead!

It was at this moment that Monsieur Barbey was informed of the fact by his half-frantic partner. We were witnesses of this dramatic scene.

Every second was of value: instant action was the thing! Police Headquarters was warned at once; and, but a few minutes had elapsed, when Monsieur Havard arrived in a taxicab to take charge of the investigations.

Thanks to the courtesy of Monsieur Havard, we were allowed to accompany him to the stone-yards of the Metropolitan; the police were convinced that it was hereabouts that the robbery had been accomplished. We reached the spot about an hour after the explosion. The first investigations produced no result; but Monsieur Havard pursued his solitary search up one of the sidings, and had his reward. His exclamation was heard, and we hastened to the spot... He had just found a second hand-cart, in every respect similar to the one he had recently examined in the courtyard of the Barbey-Nanteuil bank!

Monsieur Havard at once realised that he had before his eyes the original hand-cart, and that the hand-cart he had seen in the bank courtyard was a clever substitute! It need scarcely be said, that there is no trace of the stolen millions to be found in the original hand-cart, cast away in a siding of the Metropolitan....

Our readers know something of the appearance presented by these lines, in the course of construction on the Metropolitan railway. We have repeatedly published in La Capitale details regarding the way in which the engineers and workmen supervise and execute the cutting of the passage-way on the underground. The operations in the place de l’Opéra are on an enormous scale, for there is a junction here, and the soil is more undermined than elsewhere on the railway.

At the precise spot where the explosion occurred there are four galleries in course of construction: one is the future Auteuil-Opéra line, the others either lead to existing lines, or are galleries made for the convenience of the workmen. Hand-cart number one, that is to say, the substituted hand-cart filled with sacks of lead, was found in the passage-way of the Auteuil-Opéra line, which is perfectly accessible, and would naturally be visited by the rescuers.The original hand-cart was hidden away in one of the lateral galleries, which are small and narrow, and not likely to be visited and examined, except as a last resource.

It is therefore clear that the affair has been carefully arranged: a premeditated robbery. The presence of the two hand-carts would establish this – the hand-carts used by the bank for the transport of bullion and other forms of money, are of a particular make – unique in fact. Their respective positions show that the robbers had carefully prepared their drama, and it was skilfully arranged.