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Chapters (33)
  1. FANTOMAS: THE CORPSE WHO KILLS
  2. credits
  3. INTRODUCTION
  4. FOREWORD
  5. CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
  6. CHAPTER TWO : THOMERY’S TWO LOVES
  7. CHAPTER THREE : UNEXPECTED COMPLICATIONS
  8. CHAPTER FOUR : A SURPRISING ITINERARY
  9. CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
  10. CHAPTER SIX : IN THE OPPOSITE SENSE
  11. CHAPTER SEVEN : PEARLS AND DIAMONDS
  12. CHAPTER EIGHT : END OF THE BALL
  13. CHAPTER NINE : FINGER PRINTS
  14. CHAPTER TEN : IDENTITY OF A NAVVY
  15. CHAPTER ELEVEN : AN AUDACIOUS THEFT
  16. CHAPTER TWELVE : INVESTIGATIONS
  17. CHAPTER THIRTEEN : RUE RAFFET
  18. CHAPTER FOURTEEN : SOMEONE TELEPHONED
  19. CHAPTER FIFTEEN : VAGUE SUSPICIONS
  20. CHAPTER SIXTEEN : DISCUSSIONS
  21. CHAPTER SEVENTEEN : AN ARREST
  22. CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
  23. CHAPTER NINETEEN : CRIMINAL OR VICTIM
  24. CHAPTER TWENTY : UNDER THE HOODED MASK
  25. CHAPTER TWENTY-ONE : IN A PRISON VAN
  26. CHAPTER TWENTY-TWO : AN EXECUTION
  27. CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
  28. CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
  29. CHAPTER TWENTY-FIVE : A RAT TRAP
  30. CHAPTER TWENTY-SIX : IN THE JAWS
  31. CHAPTER TWENTY-SEVEN : THE IMPRINT
  32. CHAPTER TWENTY-EIGHT : COURAGE
  33. BACK COVER

“I, in my turn, say, you are making a mistake! Look at the two imprints I have here! That of Jacques Dollon taken a few days ago, and this made from the impressions obtained this very night, or, to be exact, in the early morning hours of today! They are identical – one can be exactly superposed on the other!”

“Coincidence!”

“There is no such coincidence possible – besides –” Monsieur Bertillon took up a powerful magnifying glass – “look at these characteristic details!... Just look at the lines of the thumb, all out of shape!... The presentment of the thumb itself is not normal either; it denotes habitual movement in a certain direction: it is the thumb of a painter, of a potter!... Oh, it is all as clear as daylight – believe me – there is no doubt about it! Jacques Dollon is the guilty person!”“But,” repeated Fandor obstinately: “Jacques Dollon is dead! I swear to you he is dead!”

This assertion made no impression on the man of science.“As to whether Jacques Dollon is alive or dead – that is for the police to decide!... For my part, I can declare that the man who committed the theft, yesterday evening, is the identical man who passed through my hands some days ago – and that man is certainly Jacques Dollon.” Jérôme Fandor left Monsieur Bertillon. The young journalist was profoundly perplexed... If the fingerprints on the neck of Princess Sonia Danidoff were, beyond dispute, those of Jacques Dollon – then the mystery surrounding this affair, and not this affair only, but a series of incidents, so far from being cleared up, was becoming more impenetrable than ever!

But Fandor was obsessed by the idea of Fantômas, of Fantômas in the depths of mystery, presiding over this series of dramatic occurrences.

“Yes, Fantômas is certainly in this!” he cried. “But Dollon has left traces of himself here – has, as it were, put his signature, his identification mark to this crime!... But Dollon is not Fantômas... and besides, Dollon is dead!... I have proofs of it – yes, he is dead!... Well then?...” What to make of it?

Fandor could make absolutely no sense of it at all!

CHAPTER TEN : IDENTITY OF A NAVVY

“The Barbey-Nanteuil bank is certainly gorgeous!” thought Jérôme Fandor as he traversed the hail on the ground floor, where the massive mahogany furniture, the thick carpets, the deep, comfortable chairs, the sober elegance of the window curtains exuded an atmosphere of luxury and good taste. “And banking is decidedly the best of businesses!” added the young journalist.

An attendant advanced to meet him.

“What do you want, monsieur?”

“Will you take in my card to Monsieur Nanteuil? I should be glad to have a few minutes’ talk with him.” The attendant bowed.

“On a personal matter, monsieur?”

“A personal matter?... Yes.”