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Chapters (33)
  1. FANTOMAS: THE CORPSE WHO KILLS
  2. credits
  3. INTRODUCTION
  4. FOREWORD
  5. CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
  6. CHAPTER TWO : THOMERY’S TWO LOVES
  7. CHAPTER THREE : UNEXPECTED COMPLICATIONS
  8. CHAPTER FOUR : A SURPRISING ITINERARY
  9. CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
  10. CHAPTER SIX : IN THE OPPOSITE SENSE
  11. CHAPTER SEVEN : PEARLS AND DIAMONDS
  12. CHAPTER EIGHT : END OF THE BALL
  13. CHAPTER NINE : FINGER PRINTS
  14. CHAPTER TEN : IDENTITY OF A NAVVY
  15. CHAPTER ELEVEN : AN AUDACIOUS THEFT
  16. CHAPTER TWELVE : INVESTIGATIONS
  17. CHAPTER THIRTEEN : RUE RAFFET
  18. CHAPTER FOURTEEN : SOMEONE TELEPHONED
  19. CHAPTER FIFTEEN : VAGUE SUSPICIONS
  20. CHAPTER SIXTEEN : DISCUSSIONS
  21. CHAPTER SEVENTEEN : AN ARREST
  22. CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
  23. CHAPTER NINETEEN : CRIMINAL OR VICTIM
  24. CHAPTER TWENTY : UNDER THE HOODED MASK
  25. CHAPTER TWENTY-ONE : IN A PRISON VAN
  26. CHAPTER TWENTY-TWO : AN EXECUTION
  27. CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
  28. CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
  29. CHAPTER TWENTY-FIVE : A RAT TRAP
  30. CHAPTER TWENTY-SIX : IN THE JAWS
  31. CHAPTER TWENTY-SEVEN : THE IMPRINT
  32. CHAPTER TWENTY-EIGHT : COURAGE
  33. BACK COVER

This morning, about seven o’clock, Madame Béju, housekeeper in the service of the painter, Jacques Dollon, who, with his sister, Mademoiselle Elizabeth Dollon, occupied lodge number six, in the Close of the rue Norvins, was on the ground-floor of the house, attending to her customary duties. She had been on the premises about half an hour, and, so far, had not noticed anything abnormal; however, astonished at not hearing any movements on the floor above, for the painter generally rose pretty early, Madame Béju decided to go upstairs and wake her master, who would be vexed at having let himself sleep so late. She had to pass through the studio to reach Monsieur Jacques Dollon’s bedroom. No sooner had she raised the door curtain of the studio than she recoiled, horror-struck.

Disorder reigned in the studio: a startling disorder!

Pieces of furniture displaced, some of them overturned, showed that something extraordinary had happened there. In the middle of the room, on the floor, lay the inanimate form of a person whom Madame Béju knew well, for she had seen her at the painter’s house many a time – the Baroness du Vibray. Not far from her, buried in a large arm-chair, motionless, giving no sign of life, was Monsieur Jacques Dollon!

When the good woman saw the rigid attitude of these two persons, she realised that she was in the presence of a tragedy.

Stirred to the depths, she re-descended the stairs, calling for help: shortly afterwards, the entire Close was in a state of uproar: house porters, neighbours, male and female, crowded round Madame Béju, endeavouring to understand her disconnected account of the terrifying spectacle she had come face to face with but a minute before. Sudden death, suicide, crime – all were plausible suppositions. The more audacious of these gossip-mongers had ventured as far as the studio door; from that standpoint, a rapid glance round enabled them to get a clear idea of the truth of the housekeeper’s statements: they returned to give a confirmation of them to the inquisitive and increasing crowd in the principal avenue of the Close.

‘The police! The police must be informed!‘ cried the Close portress.

Whilst this woman, with considerable presence of mind, and aided by Madame Béju, exerted herself to keep out the people of the neighbourhood who had got wind of the tragedy, two men had set off to seek the police.

Lodge Number 6