Chapters (33)
- FANTOMAS: THE CORPSE WHO KILLS
- credits
- INTRODUCTION
- FOREWORD
- CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
- CHAPTER TWO : THOMERY’S TWO LOVES
- CHAPTER THREE : UNEXPECTED COMPLICATIONS
- CHAPTER FOUR : A SURPRISING ITINERARY
- CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
- CHAPTER SIX : IN THE OPPOSITE SENSE
- CHAPTER SEVEN : PEARLS AND DIAMONDS
- CHAPTER EIGHT : END OF THE BALL
- CHAPTER NINE : FINGER PRINTS
- CHAPTER TEN : IDENTITY OF A NAVVY
- CHAPTER ELEVEN : AN AUDACIOUS THEFT
- CHAPTER TWELVE : INVESTIGATIONS
- CHAPTER THIRTEEN : RUE RAFFET
- CHAPTER FOURTEEN : SOMEONE TELEPHONED
- CHAPTER FIFTEEN : VAGUE SUSPICIONS
- CHAPTER SIXTEEN : DISCUSSIONS
- CHAPTER SEVENTEEN : AN ARREST
- CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
- CHAPTER NINETEEN : CRIMINAL OR VICTIM
- CHAPTER TWENTY : UNDER THE HOODED MASK
- CHAPTER TWENTY-ONE : IN A PRISON VAN
- CHAPTER TWENTY-TWO : AN EXECUTION
- CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
- CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
- CHAPTER TWENTY-FIVE : A RAT TRAP
- CHAPTER TWENTY-SIX : IN THE JAWS
- CHAPTER TWENTY-SEVEN : THE IMPRINT
- CHAPTER TWENTY-EIGHT : COURAGE
- BACK COVER
Fandor took off his coat, and uncovered the long, fine cord, rolled round and round his middle. Weighting the cord with a flint, he let it slide down the chimney, testing the straightness of the descent by the balanced oscillations of the stone, and so ascertaining the even size of the opening, as far as the line would go. This was the work of a few minutes.Fandor did not hesitate: he was eager to embark on the descent.
“After all,” he murmured, “though I may find myself face to face with a band of assassins – what of it? It is all in the night’s risks!”
He fastened the end of the cord to one of the neighbouring chimneys – fastened it firmly; then, his revolver handily stuck in his belt, Fandor seized the cord, twisted it round his legs, and let himself slowly down through the narrow opening.
It was a perilous descent! Fandor did not know whether his cord was long enough, and, lost in the dark ness, with only the gleam of light from his lantern to guide him, he was naturally afraid of reaching the end of his rope unawares, and of falling into the black void beneath. But what he observed in the course of his descent excited him so much that he almost forgot the danger he was running. To those at all practised in police detective work, it was clear as daylight that men had passed this way, and recently.
“Here is a dislodged stone,” muttered Fandor. “And here are scrapes and scratches – fresh... and... that mark looks like blood!”
Pushing his knees and his shoulders against the wall to support himself and stay his movements, he examined the mark. There was no doubt possible: Fandor’s sharp eyes and the lantern’s light had picked out a little red patch, which stained one of the projecting stones in the chimney walls.
“This,” reflected the amateur detective, “only confirms Dollon’s death: if the wound which caused this mark had been made by a living body, the mark would have been larger, and there would have been others, for it must come from an abrasion of the skin made during the descent.
But this blood mark has resulted from a dead body knocking against the stones of the wall: it is not a mark made by flowing blood, but by blood crushed out.” He descended a few yards further
“Here’s a find!” he cried. He had just perceived some hairs sticking to the rough surface of the stones.
Again, with arched shoulders and bent knees, he supported himself against the wall, examined his discovery, left half the hairs where they were, took the rest, and carefully placed them in his pocket-book.