Chapters (33)
- FANTOMAS: THE CORPSE WHO KILLS
- credits
- INTRODUCTION
- FOREWORD
- CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
- CHAPTER TWO : THOMERY’S TWO LOVES
- CHAPTER THREE : UNEXPECTED COMPLICATIONS
- CHAPTER FOUR : A SURPRISING ITINERARY
- CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
- CHAPTER SIX : IN THE OPPOSITE SENSE
- CHAPTER SEVEN : PEARLS AND DIAMONDS
- CHAPTER EIGHT : END OF THE BALL
- CHAPTER NINE : FINGER PRINTS
- CHAPTER TEN : IDENTITY OF A NAVVY
- CHAPTER ELEVEN : AN AUDACIOUS THEFT
- CHAPTER TWELVE : INVESTIGATIONS
- CHAPTER THIRTEEN : RUE RAFFET
- CHAPTER FOURTEEN : SOMEONE TELEPHONED
- CHAPTER FIFTEEN : VAGUE SUSPICIONS
- CHAPTER SIXTEEN : DISCUSSIONS
- CHAPTER SEVENTEEN : AN ARREST
- CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
- CHAPTER NINETEEN : CRIMINAL OR VICTIM
- CHAPTER TWENTY : UNDER THE HOODED MASK
- CHAPTER TWENTY-ONE : IN A PRISON VAN
- CHAPTER TWENTY-TWO : AN EXECUTION
- CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
- CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
- CHAPTER TWENTY-FIVE : A RAT TRAP
- CHAPTER TWENTY-SIX : IN THE JAWS
- CHAPTER TWENTY-SEVEN : THE IMPRINT
- CHAPTER TWENTY-EIGHT : COURAGE
- BACK COVER
Taking his time, Jérôme Fandor walked slowly, quietly up to Elizabeth, who, distraught with grief, was in floods of tears.
“Mademoiselle,” he said, in a clear level voice, which was in strange contrast with his recent persuasive and authoritative tones. “Mademoiselle, you must tell us everything!... You are here, not in the presence of a judge, and of enemies, but amidst friends who wish you nothing but good... I understand your affectionate feelings, I know what an unreasoning, but quite natural, attachment you have for your unfortunate brother – but, mademoiselle, it is now imperatively necessary that you should do violence to yourself – you must tell us the truth, the whole truth!” Interrupting his appeal to Elizabeth, Fandor turned to the magistrate with a smile so enigmatic that his audience could not tell whether he was speaking sincerely, or was acting a part.
“I have contended in my articles up to now that Jacques Dollon was dead, dead beyond recall; but when confronted with recent facts my theory seems to fall to the ground.” Fandor turned once more to Elizabeth, resuming his authoritative tone and manner
“Since the affair of the Dépôt, the legal authorities have recognised indelible traces of Jacques Dollon’s hand in the series of crimes which have been recently perpetrated.
Up to the present, I have determinedly denied such a possibility. But, mademoiselle, I put it to you: you have forgotten to tell us something of the very utmost importance, something quite out of the range of ordinary events, something phenomenal. Now here is the staggering fact I am faced with: the other day, between two and three in the afternoon, at the Auteuil boarding-house where you are staying, you received a visit from your brother, Jacques Dollon, the supposed robber of the Princess Sonia Danidoff’s pearls, the suspected author of the robbery of rue du Quatre Septembre; and, lastly, the sororicide – for what other explanation of the attack on you can be given – an attempted murder beyond question – and I add...” Fandor could not continue. His eyes were fixed on those of Elizabeth who, at the first words addressed to her by the journalist, had started up, trembling from head to foot... Their glances met, challenging, each seeking to quell, to subjugate the other... It seemed to the onlookers that they were witnessing an intense struggle between two very strong natures, separated by a deep, a fathomless gulf; that a veil, dark as night, hanging between them had been rent asunder, giving passage to an illuminating flash; that this luminous ray carried with it all the revelations and the key to the fantastic mystery.