Back Fantomas
Chapters (33)
  1. FANTOMAS: THE CORPSE WHO KILLS
  2. credits
  3. INTRODUCTION
  4. FOREWORD
  5. CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
  6. CHAPTER TWO : THOMERY’S TWO LOVES
  7. CHAPTER THREE : UNEXPECTED COMPLICATIONS
  8. CHAPTER FOUR : A SURPRISING ITINERARY
  9. CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
  10. CHAPTER SIX : IN THE OPPOSITE SENSE
  11. CHAPTER SEVEN : PEARLS AND DIAMONDS
  12. CHAPTER EIGHT : END OF THE BALL
  13. CHAPTER NINE : FINGER PRINTS
  14. CHAPTER TEN : IDENTITY OF A NAVVY
  15. CHAPTER ELEVEN : AN AUDACIOUS THEFT
  16. CHAPTER TWELVE : INVESTIGATIONS
  17. CHAPTER THIRTEEN : RUE RAFFET
  18. CHAPTER FOURTEEN : SOMEONE TELEPHONED
  19. CHAPTER FIFTEEN : VAGUE SUSPICIONS
  20. CHAPTER SIXTEEN : DISCUSSIONS
  21. CHAPTER SEVENTEEN : AN ARREST
  22. CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
  23. CHAPTER NINETEEN : CRIMINAL OR VICTIM
  24. CHAPTER TWENTY : UNDER THE HOODED MASK
  25. CHAPTER TWENTY-ONE : IN A PRISON VAN
  26. CHAPTER TWENTY-TWO : AN EXECUTION
  27. CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
  28. CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
  29. CHAPTER TWENTY-FIVE : A RAT TRAP
  30. CHAPTER TWENTY-SIX : IN THE JAWS
  31. CHAPTER TWENTY-SEVEN : THE IMPRINT
  32. CHAPTER TWENTY-EIGHT : COURAGE
  33. BACK COVER

Slowly, painfully, his features contracting as at the remembrance of a horrible nightmare, the young man stretched his limbs, opened his eyes: he turned a dull gaze on those about him, a gaze which became one of stupefaction when he perceived these unknown faces gathered round his bed. His eyes fell on his housekeeper. He murmured:

‘Mme... Bé – ju ... je.. .,’ and fell back into unconsciousness.

‘Is he dead?’ whispered Monsieur Agram.

The doctor smiled.

‘Be reassured, monsieur: he lives; but he finds it terribly difficult to wake up. He has certainly swallowed some powerful narcotic and is still under its influence, but its effects will soon pass off now.’

The good doctor spoke the truth.

In a short time Jacques Dollon, making a violent effort, sat up. Casting scared and bewildered glances about him, he cried:

‘Who are you? What do you want of me? ... Ah, the ruffians! The bandits!’

‘There is nothing to fear, monsieur. I am simply the doctor they have called in to attend to you! Be calm! You must recover your senses, and tell us what has happened!’

Jacques Dollon pressed his hands to his forehead, as though in pain:

‘How heavy my head is!’ he muttered. ‘What has happened to me?... Let me see! ... Wait.... Ah... yes ... that’s it!’

At a sign from the doctor, the superintendent had stationed himself beside the bed, behind the young painter.

Keeping a finger on his patient’s pulse, the doctor asked him, in fatherly fashion, to tell him all about it.

‘It was like this,’ replied Jacques Dollon .....

‘Yesterday evening I was sitting in my arm-chair reading. It was getting late. I had been working hard.... I was tired....

All of a sudden I was surrounded by masked men, clothed in long black garments: they flung themselves on me. Before I could make a movement I was gagged, bound with cords....

I felt something pointed driven into my leg – into my arm....

Then an over powering drowsiness overcame me, the strangest visions passed before my eyes; I lost consciousness rapidly. I wanted to move, to cry out... in vain... there was no strength in me... powerless... and that’s all!’

‘Is there nothing more?’ asked the doctor.

After a minute’s reflection Jacques answered:

‘That is all.’

He now seemed fully awake. He moved: the movement was evidently painful: ‘It hurts,’ he said, instinctively putting his hand on his left thigh.

‘Let us see what is wrong,’ said the doctor, and was preparing to examine the area when a voice from the studio called: ‘Monsieur!’

It was Monsieur Agram’s secretary. The magistrate left his position by the bed and went into the studio.

‘Monsieur,’ said the secretary, ‘I have just found this paper under the chair in which Monsieur Dollon was slumped: will you acquaint yourself with its contents?’

The magistrate seized the paper: it was a letter, couched in the following terms:

Dear Madame,