Chapters (33)
- FANTOMAS: THE CORPSE WHO KILLS
- credits
- INTRODUCTION
- FOREWORD
- CHAPTER ONE : THE DRAMA OF THE RUE NORVINS
- CHAPTER TWO : THOMERY’S TWO LOVES
- CHAPTER THREE : UNEXPECTED COMPLICATIONS
- CHAPTER FOUR : A SURPRISING ITINERARY
- CHAPTER FIVE : MOTHER TOULOUCHE AND CRANAJOUR
- CHAPTER SIX : IN THE OPPOSITE SENSE
- CHAPTER SEVEN : PEARLS AND DIAMONDS
- CHAPTER EIGHT : END OF THE BALL
- CHAPTER NINE : FINGER PRINTS
- CHAPTER TEN : IDENTITY OF A NAVVY
- CHAPTER ELEVEN : AN AUDACIOUS THEFT
- CHAPTER TWELVE : INVESTIGATIONS
- CHAPTER THIRTEEN : RUE RAFFET
- CHAPTER FOURTEEN : SOMEONE TELEPHONED
- CHAPTER FIFTEEN : VAGUE SUSPICIONS
- CHAPTER SIXTEEN : DISCUSSIONS
- CHAPTER SEVENTEEN : AN ARREST
- CHAPTER EIGHTEEN : AT THE BOTTOM OF THE TRUNK
- CHAPTER NINETEEN : CRIMINAL OR VICTIM
- CHAPTER TWENTY : UNDER THE HOODED MASK
- CHAPTER TWENTY-ONE : IN A PRISON VAN
- CHAPTER TWENTY-TWO : AN EXECUTION
- CHAPTER TWENTY-THREE : FROM VAUGIRARD TO MONTMARTRE
- CHAPTER TWENTY-FOUR : AT SAINT-LAZARE
- CHAPTER TWENTY-FIVE : A RAT TRAP
- CHAPTER TWENTY-SIX : IN THE JAWS
- CHAPTER TWENTY-SEVEN : THE IMPRINT
- CHAPTER TWENTY-EIGHT : COURAGE
- BACK COVER
And no wonder! Elizabeth was neatness personified, and her room was kept with exquisite care – but now, everything was in the greatest disorder... The drawers of her clothes-chest were piled one on top of the other in a corner of the room; their contents were thrown down in heaps a little way off; books had been cast pell-mell on a sofa; a great wicker trunk, wherein Elizabeth had packed numerous papers belonging to her brother, was overturned on the floor, the lid open.
Its contents were scattered near – a confused mass of documents and crumpled papers.
Elizabeth stared about her for a long minute, and again she cried:
“Oh, if only he would come! What is the meaning of all this?”
She regained her self-control. Her usual expression of serene gravity returned.
“To go to sleep,” she murmured. “That is the best thing. Tomorrow will come more quickly so – and, oh, I am so sleepy, so very, very tired!”
Soon Elizabeth blew out her lamp – darkness reigned in her room.
It was about half-past ten o’clock, and the light in Elizabeth Dollon’s room had been extinguished for some little while, when the front door of the little house was opened again...
Noiselessly, with infinite precautions, with searching and suspicious glances, taking care to keep off the gravel of the paths, tip-toeing on the grass edging the flower beds, where his steps made no sound, a man left the house and went towards the garden gate.
He quickly reached it; and there he commenced to whistle a soft, slow, monotonous, and continuous whistle.
Second followed second; then another whistle, identical in rhythm, replied; soon a voice asked:
“It’s you, Jules?”
“It is I, master!”
The man whom Jules named “master” was the stranger who, for two weary hours, had kept strict watch over the goings and comings of the house...
“All well, Jules?”
“All well, master!”
“And nothing new?”
“I don’t know about that, master: she has written a letter.” “To whom?”
“I couldn’t say... I could not see the address, master.”
“You red-headed idiot!”
The servant protested.
“No, it was not my fault!... She did not write in the drawing-room, but in her own room... I couldn’t get a squint at her paper!”
“Did she not say anything?”
“Nothing.”
“Did she look upset?”
“A little.”
“No one suspects anything?”
“I hope not, master!... Gods and little fishes, if anyone suspected!”
The visitor’s voice grew harsh, imperious.
“Enough,” he said. “We have no time to lose!”
“How? No time.” .
‘That’s it! We must set to work.”
“Work?... Now?... This very night?... Oh, master, surely not!”
“You think I’m joking? Do you imagine that I arranged a meeting, only for the pleasure of talking to you?
Come on, now!... March!”
“What are we to do?”
A moment’s silence.
“I cannot see the house very well, because of the branches listen – look!... Isn’t there a light? Someone still up?”