And yet it all rang true on some level. He did feel sometimes that he was continuing to suffer guilt pangs for acts he had long ago forgotten—deeds done when he wasn’t the same person. And who hasn’t known a sad sack, a hard-luck case who seems to be undergoing eternal punishment for no particular reason?

The next Erinyes reference happened to occur just before a two-page spread featuring the more cheerful topic of the Muses, which was good stuff, way more Sophia-appropriate, as well as reminding Richard that his own Furious Muses were at least as creative as retributive, for some of his best work had emerged from imaginary dialogues with those estimable ladies. So “Furies” had been the text he was after, and “Fates” an accidental subtext—but this morning something about it was nagging at him.

It had to do with the threads. Lying in bed a minute ago he’d been thinking about the thread of consciousness, and how severing it—breaking the brain–body link—was the key to a proper nap. And he knew that somewhere in d’Aulaire was a picture of the Fates spinning, measuring, and cutting thread. He looked all through Greek as he drank his coffee, and found it not.

The coffee was unutterably fantastic. The machine cost more than Richard’s first car and there was nothing known to coffee technology that was not embodied in its hardware and its algorithms. The beans had come from an artisanal roaster a hundred yards away—a nimble coffee startup founded by java wizards who had been brought here to work for Starbucks and spun out the moment their stock options had vested. The taste of the coffee was not wonderful, however, merely because the machine and the roasters had done such good jobs, but in the categorical sense that Dodge was awake, he was alive, he was actually physically tasting this stuff with his body in a way that sleeping-Dodge-in-a-dream could never have done. In that sense awake Dodge was as superior to sleeping Dodge as a living person was to a ghost. Dreaming-of-coffee Dodge was to drinking-coffee Dodge as one of the shades in Hades—likened, in d’Aulaire, to dry leaves whirling about in a cold autumn wind—was to a living, flesh-and-blood person.

He exhausted the first cup while looking for the thread-cutting picture. He did find a textual description of the spinning, measuring, and cutting operations being carried out by Clotho, Lachesis, and Atropos, respectively, but not the illustration that he clearly remembered showing to Sophia just a couple of days ago.

On his second cup of coffee he had the idea of checking Norse. And there it was: a full-color half-pager of three blondes—here, they were called Norns—spinning the threads of life at the base of the world tree. Urd, Verdande, and Skuld. Names and hair color aside, they seemed to be a direct drop-in replacement for their Greek equivalents.