Back Fall; or, Dodge in Hell
Chapters (77)
  1. Title Page
  2. Contents
  3. Dedication
  4. Book 1
  5. Part 1
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Part 2
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Part 3
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Part 4
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Part 5
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Part 6
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 7
  53. Chapter 42
  54. Book 2
  55. Part 8
  56. Chapter 43
  57. Chapter 44
  58. Part 9
  59. Chapter 45
  60. Chapter 46
  61. Chapter 47
  62. Part 10
  63. Chapter 48
  64. Chapter 49
  65. Part 11
  66. Chapter 50
  67. Chapter 51
  68. Chapter 52
  69. Chapter 53
  70. Chapter 54
  71. Chapter 55
  72. Chapter 56
  73. Map of The Land
  74. Acknowledgments
  75. About The Author
  76. Also By Neal Stephenson
  77. Copyright

The tragedy—and the entire point—of being a parent was the moment when the story stopped being about you. It was prefigured and foreshadowed in the tear-jerking moments that parents captured in snapshots, and that advertisers looted for use in commercials: baby’s first steps, day one at kindergarten, riding a bicycle, soloing behind the wheel of a car. Zula and Csongor had been through all of those with Sophia, and had taken pictures and shed tears like everyone else. But the one that had really struck home had been when Sophia had gone off to college and blithely not communicated with them at all for three weeks. No text messages, no tweets, no phone calls: just a silence that might as well have been that of the grave. It wasn’t that she didn’t remember and love the family she had left behind. What she was doing at college was so fascinating that it simply didn’t occur to her to phone home. Csongor had suffered it in silence. Zula had reached out to her fellow bereaved: the mothers of Sophia’s school friends and soccer teammates. Some of them were still hearing from their kids several times a day, and tracking them on social media, but others were feeling what Zula felt: the sense of having been left behind, as if you were a character in a movie who gets run over by a bus at the end of the first reel, clearing the way for a younger, more charismatic star to act out the main story.

Losing your child was the opposite of that. A perverse twist in the story, where the wrong person gets hit by that bus, leaving behind, alone on the stage, survivors who never expected and never wanted to be in the spotlight. It wasn’t the worst thing about losing your child, of course, but it was a part of the dismal picture.

A decade and a half after Sophia’s death, the tears still came to Zula at the strangest moments. In many ways, the consequences to her and Csongor, and to their relationship, had been typical. They had gone for a week, then a month, then a year without having sex. Csongor had moved out of the condo, unable to bear its associations with the daughter they’d raised there, and Zula had become almost a recluse inside of it. After two years they had gone through the formality of a divorce. They didn’t hate each other. They didn’t not love each other. But the entire basis of the marriage seemed to have been erased.