Back Fall; or, Dodge in Hell
Chapters (77)
  1. Title Page
  2. Contents
  3. Dedication
  4. Book 1
  5. Part 1
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Part 2
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Part 3
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Part 4
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Part 5
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Part 6
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 7
  53. Chapter 42
  54. Book 2
  55. Part 8
  56. Chapter 43
  57. Chapter 44
  58. Part 9
  59. Chapter 45
  60. Chapter 46
  61. Chapter 47
  62. Part 10
  63. Chapter 48
  64. Chapter 49
  65. Part 11
  66. Chapter 50
  67. Chapter 51
  68. Chapter 52
  69. Chapter 53
  70. Chapter 54
  71. Chapter 55
  72. Chapter 56
  73. Map of The Land
  74. Acknowledgments
  75. About The Author
  76. Also By Neal Stephenson
  77. Copyright

It seemed a natural topic of conversation. But before Prim could go and take it up with Edda, she heard voices approaching, one of which had the distinctive harsh timbre of a giant talking raven. Corvus came into view first, and not far behind him were Fern and Lyne. The latter was bearing in his hands a heavy thing all wrapped up in cloth.

“Easier than expected,” he announced, dropping to one knee and setting his burden down near what a few hours ago had been a cube. He began carefully to unwrap it.

“We found a stair,” Fern explained, “that some Lithoplast, I suppose, had made in the face of the cliff that descends into the Chasm. It took us right down to where the Land gives way to chaos.”

Lyne had exposed the two fragments of adamant that Burr had earlier cut off and whittled into a makeshift container. These were clapped together, but when Lyne carefully shifted the top one, they could all see chaos within. “Scooped it up like water into a ladle,” he said. After he had handed the sample to Querc, Prim went to him and Fern—who seemed great friends now that they had been on an adventure together—and asked, “Did you see, or hear or feel, anything moving—perhaps just beginning to move—in the depths of the Chasm?”

“You’ve seen chaos,” Lyne answered. “When is it ever not moving?”

“I mean not its usual fluctuation but something coherent and purposeful. With a mind,” Prim explained.

“No,” Lyne said, and his sincerity was plain.

Prim’s gaze shifted to Fern. “Nothing small,” she said. “What I am asking about would be like the thing that took your family in the southern ocean.”

Fern froze up in the way Prim had sometimes seen men do when they were getting ready to lose their temper. But no such outburst came. “I understand,” she said, after swallowing a bite of food. “You’re saying it might be too big to notice.”

“Something like that, yes.”

Fern was now gazing off at nothing in particular. Lyne, either bored or uneasy, ambled off toward Mard and Querc. Edda by this point had boosted them to the top of what had been the Cube and was gradually becoming more of an irregular obelisk as Burr cut away at it.

“I understand the nature of your question,” Fern said. But that was all she said for now.

Something in chaos was infectious and could break down adamant or other solid forms. Normally adamant was proof against it. That was the whole point. It was why Egdod had brought it into being: so that he could make something permanent in the ocean of chaos. But Egdod had done so when he had been a formless swirl of aura. What he had done could be undone. Chaos could infect adamant, or anything solid, when directed to that purpose by the will of a soul. If that soul were embodied in a solid form, it would suffer the same fate even as it was performing the work. This was why Pick had used his aura, not his hands or any physical tool, when going about such tasks.