Back Fall; or, Dodge in Hell
Chapters (77)
  1. Title Page
  2. Contents
  3. Dedication
  4. Book 1
  5. Part 1
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Part 2
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Part 3
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Part 4
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Part 5
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Part 6
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 7
  53. Chapter 42
  54. Book 2
  55. Part 8
  56. Chapter 43
  57. Chapter 44
  58. Part 9
  59. Chapter 45
  60. Chapter 46
  61. Chapter 47
  62. Part 10
  63. Chapter 48
  64. Chapter 49
  65. Part 11
  66. Chapter 50
  67. Chapter 51
  68. Chapter 52
  69. Chapter 53
  70. Chapter 54
  71. Chapter 55
  72. Chapter 56
  73. Map of The Land
  74. Acknowledgments
  75. About The Author
  76. Also By Neal Stephenson
  77. Copyright

While stepping off a curb during her walk to work, she’d felt a sharp pain in her leg and heard a pop. As that leg had collapsed, she had tried to break her fall by planting the other leg, which had produced another pop, another lance of pain, and a full-body collapse into the gutter. It had rained the night before, the first really serious rain of the fall, and so she found herself sharing the gutter with a curiously Seattle medley of damp leaves, discarded coffee cups, and one used hypodermic syringe. A raven flew down out of a fir to see if she was edible yet. The only explanation she could think of was that some asshole had shot her a couple of times and then run away. But there were no holes, no bleeding.

Nothing happened for an amazingly long time. It was a mixed neighborhood of high-density housing and commercial buildings on the slope that joined the base of Capitol Hill to the shores of Lake Union. It ought to have been bustling. In a sense it was; cars whooshed by every few seconds, swinging wide to avoid the vaguely human-shaped blob that their infrared cameras had noticed in the gutter. In no time all of the cars had let each other know about said blob and rerouted traffic to mitigate the risk. The humans inside of them were, of course, otherwise occupied and so never looked up. The people in the apartment buildings, offices, and cafés were likewise paying no notice to goings-on in the gutter. Zula was left alone to ponder existential topics.

The tragedy—and the entire point—of being a parent was the moment when the story stopped being about you. It was prefigured and foreshadowed in the tear-jerking moments that parents captured in snapshots, and that advertisers looted for use in commercials: baby’s first steps, day one at kindergarten, riding a bicycle, soloing behind the wheel of a car. Zula and Csongor had been through all of those with Sophia, and had taken pictures and shed tears like everyone else. But the one that had really struck home had been when Sophia had gone off to college and blithely not communicated with them at all for three weeks. No text messages, no tweets, no phone calls: just a silence that might as well have been that of the grave. It wasn’t that she didn’t remember and love the family she had left behind. What she was doing at college was so fascinating that it simply didn’t occur to her to phone home. Csongor had suffered it in silence. Zula had reached out to her fellow bereaved: the mothers of Sophia’s school friends and soccer teammates. Some of them were still hearing from their kids several times a day, and tracking them on social media, but others were feeling what Zula felt: the sense of having been left behind, as if you were a character in a movie who gets run over by a bus at the end of the first reel, clearing the way for a younger, more charismatic star to act out the main story.