10:30 P.M.: The summer’s disaster movie, The Day After Tomorrow, opens this weekend, but disaster struck tonight at Fenway Park, as Boston’s brave little five-game winning streak went bye-bye in a big way. Oakland beat the Red Sox like a drum, pounding out 17 hits on their way to a 15–2 win. Me, I knew it was going to happen. I went to the game with my nephew, Jon, who goes to school in Boston. He came over to my hotel room before the game and tossed my hat on the bed, which everyoneknows is just about the worst luck in the world—talk about bad mojo! But I don’t blame him; the kid just didn’t know.

Also, most (or maybe all) major league teams now insist on a five-man pitching rotation, and our fifth man, Bronson Arroyo, while promising, is still very much a work in progress. That fifth man in the rotation is about stre-et-ching the starting pitching…and that, of course, is all about the money. We’ve been there before in this book, and will undoubtedly be there again. But I can remember a time, children—I believe it was 1959—when the White Sox went to the World Series with what was essentially a three-man rotation. Of course, those were the days when a good pitcher still got paid in five figures and a man could take his whole family to the ballyard for twenty bucks, parking included (and smoke a White Owl in the grandstand, if he was so inclined). I’m not saying those were better baseball days…but I’m not saying they weren’t, either.

In the midst of all this, Kevin Youkilis drew a walk in his last at-bat. He still hasn’t played in a major league game where he’s failed to reach base.

A final note before I pack it in for the night: I took myself off this afternoon to see Still, We Believe, an entertaining documentary which chronicles the star-crossed Red Sox team of 2003, the one that voyaged so far only to tear out its hull (not to mention the hearts of its fans) on those cruel Yankee reefs in the seventh game of the American League Championship Series. This film is currently playing in theaters all over New England, plus a few New York venues (where it is attended largely by sadists in Yankee caps, one would suppose), and probably nowhere else. It’s a charming, funny, sweetly poignant film. Its token efforts to explore the Mind of Management—always supposing Management has a Mind, a hypothesis with little evidence to support it—aren’t very interesting, but when it focuses on the fortunes of four fans, it’s a lot more successful. One is a young man who is wheelchair-bound due to an accident; two are semidaffy (but very endearing) young women I kept thinking of as Laverne and Shirley; the fourth is Angry Bill.