Back Every Last Fear
Chapters (72)
  1. Title Page
  2. Copyright Notice
  3. PROLOGUE
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. CHAPTER 47
  51. CHAPTER 48
  52. CHAPTER 49
  53. CHAPTER 50
  54. CHAPTER 51
  55. CHAPTER 52
  56. CHAPTER 53
  57. CHAPTER 54
  58. CHAPTER 55
  59. CHAPTER 56
  60. CHAPTER 57
  61. CHAPTER 58
  62. CHAPTER 59
  63. CHAPTER 60
  64. CHAPTER 61
  65. CHAPTER 62
  66. CHAPTER 63
  67. CHAPTER 64
  68. CHAPTER 65
  69. EPILOGUE
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR
  72. Newsletter Sign-up

Judy looked at her husband, who gave a tiny shrug as if to say, Why not?

Keller gestured for the diner’s door. Somewhere they could sit and talk.

“No, not in there,” Judy said. “You think they don’t like the Pines? Well, they really don’t like us. We’ve set up base at a farmhouse about ten minutes from here.”

“I’ll follow you there.”

The farmhouse had seen better days. The paint peeling, porch sagging. Several dogs scattered as the Adlers parked the van on a patch of dirt that passed for a driveway. Keller pulled the Nissan beside them.

Judy got out of the van, a dented Ford. Ira trailed behind his wife, something Keller suspected he’d been doing for as long as the Adlers had been married. Judy waved to Keller to follow them inside.

Keller climbed out of her car and looked around. A barn was about thirty yards away, the door falling off its hinges. Beyond that, just fields, not another soul for miles. She stepped around the mud and muck and mounted the porch steps. The wood was soft from rot. She stopped at the door and looked inside the place. Two men in their twenties sat in front of laptops at a long kitchen table. Stacks of papers and empty soda cans cluttered the work space. Dishes were piled in the sink.

A woman, heavyset and wearing sneakers and sweats, was also at the far end of the kitchen table, talking on her cell phone.

Judy called to Keller from inside. “Come on in. We don’t bite.”

The interior was just as run-down. Cracked linoleum floors, faded wallpaper with bare patches as if someone had started trying to remove it and given up. An avocado-green refrigerator matched the green laminate countertops.

Ira cleared away some of the trash and clutter from the table, making a space for their guest. “Please, have a seat.”

Judy introduced Keller to the others—the production team, who all seemed more attentive when they learned that Keller was with the Federal Bureau of Investigation.

“Sorry about the mess,” Ira said, sitting next to his wife, across from Keller. “We’ve had a lot of late nights around here. Get you some coffee or something to drink?”

“I’m fine. Already hit my caffeine quota. But thank you.” Keller looked at the monitors and equipment. “How’s the sequel coming?”

“Slow. How’s your investigation into the death of the Pines going?”

“Same,” Keller said.

Judy Adler gave a slight chuckle, as if amused at Keller’s evasive response. She said, “We’ve been looking into Charlotte and what we’ve found is, um, surprising.” Judy looked at a member of the production team. He had a man bun and wore flip-flops with jeans. “Show her.”