Chapters (72)
- Title Page
- Copyright Notice
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- EPILOGUE
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- Newsletter Sign-up
Keller was going to ask what was wrong when she saw Judy and Ira Adler, the directors of “A Violent Nature,” walking toward them.
Judy Adler nodded hello to Keller, then turned to Matt. Her husband hung back, as if conflicted.
“Matthew,” Judy said, “I’m so sorry for your loss.”
Matt offered a dismissive nod.
“I know this is a terrible time—and I know you wanted nothing to do with us on the last film—but we’re doing a follow-up to the documentary, and we’d love to talk to you. We think it could really help your brother, and—”
“Not interested,” Matt said. He gazed down the road as if looking for his aunt’s car.
“Matthew, you’re a filmmaker. You have to understand we’re just doing our jobs. And you may not have cared for it, but ‘A Violent Nature’ got your brother’s case on the map. No one cared until we—”
“Until you what?” Matt said. “Until you got everyone’s hopes up? Made my father look crazy? Pulled my little sister into this mess? Made my family the most hated people in this town? And for what?”
“Matthew, I’m—”
“I said, not interested.”
Keller was surprised at the emotion—the hurt—in Matt’s voice.
“My brother’s still in jail,” Matt continued. “And my family went to Mexico on some hunt for clues. If it weren’t for this fucking quest—your film—they’d at least be alive. My sister would be leaving for college. My little brother would be finishing first grade.”
Keller saw the glint in Judy Adler’s eyes. Matt had unintentionally given them some new information: the reason his family had gone to Mexico.
Matt seemed to realize it too. He turned to Keller, his eyes apologizing.
Keller gave a look back that said, It’s okay.
“I’m just asking you to hear us out,” Judy said. “We’ve uncovered new evidence. It could really help. I think your dad would want you to just hear what we have to say.”
Keller was about to intercede when Matt’s aunt pulled up. She idled the car in front of the diner.
Matt turned to Keller. “Thanks for the coffee. Keep me posted on things,” he said.
His aunt Cindy gave the Adlers the stink eye out the car window. When they looked over at her, she held out her middle finger.
Keller and the Adlers watched the car disappear, along with the filmmakers’ hopes of interviewing Matt Pine for their sequel to “A Violent Nature.”
“New evidence, eh?” Keller said pointedly to the couple.
Judy said, “Newer than that CODIS and DNA analysis you promised us…”
“I’m calling in every favor I have to get us moved to the front of the line,” Keller said.
Judy frowned.
“I’m supposed to hear tonight. The moment I get the results, I promise, I’ll call. Until then, what’s this new evidence?”