Back Every Last Fear Save as PDF
Chapters (72)
  1. Title Page
  2. Copyright Notice
  3. PROLOGUE
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. CHAPTER 47
  51. CHAPTER 48
  52. CHAPTER 49
  53. CHAPTER 50
  54. CHAPTER 51
  55. CHAPTER 52
  56. CHAPTER 53
  57. CHAPTER 54
  58. CHAPTER 55
  59. CHAPTER 56
  60. CHAPTER 57
  61. CHAPTER 58
  62. CHAPTER 59
  63. CHAPTER 60
  64. CHAPTER 61
  65. CHAPTER 62
  66. CHAPTER 63
  67. CHAPTER 64
  68. CHAPTER 65
  69. EPILOGUE
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR
  72. Newsletter Sign-up

Keller was going to ask what was wrong when she saw Judy and Ira Adler, the directors of “A Violent Nature,” walking toward them.

Judy Adler nodded hello to Keller, then turned to Matt. Her husband hung back, as if conflicted.

“Matthew,” Judy said, “I’m so sorry for your loss.”

Matt offered a dismissive nod.

“I know this is a terrible time—and I know you wanted nothing to do with us on the last film—but we’re doing a follow-up to the documentary, and we’d love to talk to you. We think it could really help your brother, and—”

“Not interested,” Matt said. He gazed down the road as if looking for his aunt’s car.

“Matthew, you’re a filmmaker. You have to understand we’re just doing our jobs. And you may not have cared for it, but ‘A Violent Nature’ got your brother’s case on the map. No one cared until we—”

“Until you what?” Matt said. “Until you got everyone’s hopes up? Made my father look crazy? Pulled my little sister into this mess? Made my family the most hated people in this town? And for what?”

“Matthew, I’m—”

“I said, not interested.”

Keller was surprised at the emotion—the hurt—in Matt’s voice.

“My brother’s still in jail,” Matt continued. “And my family went to Mexico on some hunt for clues. If it weren’t for this fucking quest—your film—they’d at least be alive. My sister would be leaving for college. My little brother would be finishing first grade.”

Keller saw the glint in Judy Adler’s eyes. Matt had unintentionally given them some new information: the reason his family had gone to Mexico.

Matt seemed to realize it too. He turned to Keller, his eyes apologizing.

Keller gave a look back that said, It’s okay.

“I’m just asking you to hear us out,” Judy said. “We’ve uncovered new evidence. It could really help. I think your dad would want you to just hear what we have to say.”

Keller was about to intercede when Matt’s aunt pulled up. She idled the car in front of the diner.

Matt turned to Keller. “Thanks for the coffee. Keep me posted on things,” he said.

His aunt Cindy gave the Adlers the stink eye out the car window. When they looked over at her, she held out her middle finger.

Keller and the Adlers watched the car disappear, along with the filmmakers’ hopes of interviewing Matt Pine for their sequel to “A Violent Nature.”

“New evidence, eh?” Keller said pointedly to the couple.

Judy said, “Newer than that CODIS and DNA analysis you promised us…”

“I’m calling in every favor I have to get us moved to the front of the line,” Keller said.

Judy frowned.

“I’m supposed to hear tonight. The moment I get the results, I promise, I’ll call. Until then, what’s this new evidence?”