Chapters (34)
- Cover
- Title page
- Dedication
- Epigraph
- 1 Organs
- 2 Hard Goods
- 3 Swimming with Eels
- 4 Givenchy
- 5 Archive Style
- 6 Skull Radio
- 7 England Calling
- 8 Rocket Jockeys
- 9 Emotional Signals Are Chemically Encoded in Tears
- 10 Down to the River
- 11 Empty Space
- 12 I Am Not Renoko!
- 13 Eaten by Dogs
- 14 Enantiodromic Zones
- 15 Random Acts of Downward Causation
- 16 Carshalton Shangri-La
- 17 Correlation States
- 18 It Takes Place in a Vacuum
- 19 Anyone Can Make a Mistake
- 20 Modern Luminescence
- 21 Everyone’s a VIP to Someone
- 22 The See-Not Gate
- 23 Heart Sounds & Bruits
- 24 Spike Train
- 25 Lowboy Orbits
- 26 Lizard People from Deep Time
- 27 The Medium is Not the Message
- 28 Lay Down Your Weary Tune
- Acknowledgements
- Also by M. John Harrison
Keeping in mind EMC’s culture of hip self-presentation – not to say its preference for conservatively leveraged joint venture structures with local partners – Gaines kept silent his collaboration with Imps von Sant. Last of the genuinely human beings, Imps passed his day in shower sandals and cargo shorts, often matched with a slogan T-shirt, which might read SHE’S UP YOU, MAN or YbAlB4 (pronounce that ‘yibble before’). In addition he cultivated a range of mid-20th century conditions from gingivitis to dry skin and had, over the years, grown fat. This old school viewpoint was what Gaines enjoyed about Imps most: his work being more difficult to fathom. Half the experiment – designed off the shelf a hundred years before to identify strange materials in the big dust clouds and expansion fronts at the edges of the Tract – was broken, while the rest produced data not from outside but from in, giving van Sant a running commentary on its own processes he had begun to describe in his reports as ‘a cry for help’. Needles swung across their dials, redlining jerkily until the Tub’s shadow operators woke up murmuring:
‘It’s not right, dear,’ and, ‘It’s too much to ask.’
When Gaines arrived that morning for the weekly performance objectives review, he found van Sant hammering with the heel of his fist on a zinc box about a foot on a side and enamelled green, from which a pair of independent eyepieces dangled on cloth-covered flex.
‘I used to be able to see something in here.’
‘Forget that stuff,’ Gaines advised him, ‘and give me a beer.’
‘It was a view of mountains,’ van Sant said.
He scratched up a quart of Giraffe, then banged the box again. ‘Mountains in one eye, and something else in the other, I forget what. No, wait. A lake! That’s what it looked like to me.’
‘Really?’
Gaines had his doubts about the quality of these images – neither did he believe them to be informative in themselves. The instrument, acquired knock-down at the usual Motel Splendido fire sale, was operator-tuned: there would be some way of seeing, something you did with your head, which performed that trick of cross-correlation. Squint though he might, Imps van Sant had never got the knack. He wasn’t tailored the right way, though a certain natural shrewdness enabled him to observe:
‘It was what they added up to that made the difference.’
‘You don’t want to worry about that,’ Gaines told him vaguely. ‘Have we discovered anything this week?’
‘Your guess is as good as mine.’