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Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

‘I don’t see anything much in there,’ Liv Hula said. ‘Can we have the lights on?’ She sought out the bills of lading. ‘“MP Renoko”,’ she read. ‘“Hard goods. D.i.f. Documents on site.” Where are we taking this?’

‘Da Luz Field,’ Antoyne said. ‘Somewhere called World X. It’s fifty lights down.’

‘Everywhere’s fifty lights down, Fat Antoyne.’

6 Skull Radio

SIX

Skull Radio

The assistant rented her room from someone she knew, a woman called Bonaventure who ran a bar on Straint Street near the event site. At night the rocket launches lit the room’s warm air like a bad tank experience, psychic blowback from the engines reinscribing the thoughts and feelings of the people who had lived there before her. They sweated out on to the walls in layers of swirled colours like graffiti written on top of one another. Maps, artefacts, butterflies from another world, all of that kind of thing. For some reason, the assistant didn’t mind. She was used to it. She enjoyed it – although ‘enjoyment’ was a word she had never used much about her own experiences. Sometimes she wondered whose dreams she was having.

The evening after she first heard the word ‘Pearlant’, a man called Gaines walked in through the wall of the room. She understood instantly he was not one of the past’s stories. His appearance made her afraid. In response, her tailoring switched itself on; but something he could do – or didn’t even need to do – switched it off again, so that she came up off the bed hard and fast, then had to stand there in the middle of her own room, feeling naked and displaced, like a child who has made a bad judgement and sees it too late, while he walked around her to the window as if she was a fixed object, something almost interesting in a shop, something that wasn’t in his way.

‘This is a quaint place to live,’ he said, looking down into the street, which had once been gentrified but which was going downhill again. It was late. The bars and nuevo tango joints were opening slowly, their neon-cluttered facades pulsing and sucking. Ads patrolled the pavement with the soft voices of children. Rocket dub basslines thumped in the walls. The street was opening like a glass anemone against the steepening food gradient of the night. ‘But all this cultural babble out here, don’t you sometimes want a rest from it?’

‘It’s only what people want,’ the assistant said. She wasn’t sure what people wanted.

‘They mistake it for substance.’

‘I don’t know what that means.’

It meant that there was something down underneath all this, Gaines informed her. ‘It means that the world isn’t all signs and surfaces.’