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Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

During the journey it stayed down by the holds. The onboard cameras disclosed a passing shadow in 4 or 6, but Liv was always too late to catch what cast it. There was movement at the top of a companionway, or in the central ventilation shaft. Later, she tracked it to the living quarters, but only as a discoloration of the air or a rubbed-out graffiti left by some bored supercargo forty years ago. These were isolated incidents. Saudade to World X proved to be the usual disorienting trudge. Irene fucked Antoyne. Antoyne fucked Irene. Out beyond the hull, mucoid strings of non-baryonic matter streamed past like Christ’s blood in the firmament. Liv Hula tuned to the Halo media, where the breaking news was never good. Two days out she tipped the ship on its base, put them down neatly less than a hundred yards from the Port Authority building at da Luz Field, and lay there in the pilot couch too tired to disconnect, listening to the fusion engines tick and flex as they cooled.

Half an hour later, she woke up to find herself alone. She gagged ejecting the pilot connexion, threw up a handful of bile, sat disconsolately on the edge of the couch with her arms folded across her stomach. Monitors came to life. The nanocams had caught something in motion in the dark in the junction between two corridors: its appearance was half-finished, as if someone had begun painting a man on the air of the corridor then lost interest. The head, torso and arms were present though in need of work; from there it became notional until, around the navel, only a few shreds and rags of colour remained. It was the right height from the floor to have legs, but they weren’t visible. Not to Liv Hula, anyway. As it began to turn towards her, she saw that the rags and shreds weren’t paint after all but dark hanging strips of flesh. It was real. It was hollow. It was ripped and charred. She ran out of the control room, her arms outstretched in front of her, palms forward, calling, ‘Irene! Antoyne!’ at the top of her voice.

No one heard her, and that gave her time to feel a fool. She stood on the loading platform in the glaring light.