Back Empty Space Save as PDF
Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

When Anna Waterman fell through the summerhouse floor and into the Aleph, it was just before dawn on a damp September morning in London. What time it was for the Aleph would be less easy to record.

The space she fell through was a confusing colour, like darkness on a windy night. It was too wide to be a tunnel, too confined to be anything else. Its boundary conditions allowed her to topple; they didn’t allow her to touch the sides. The sky quickly contracted to an almost invisible point above her. For a time, the cat was some company. It fell with a comical expression on its face, then seemed to drift in towards her, kneading the air with its front paws and purring loudly, after which they lost sight of one another. ‘James, you nuisance,’ Anna said.

Up above, something settled, as if the summerhouse, properly on fire this time, had begun to collapse. Rattling down towards her came a shower of objects coloured deep wine and amber or fanned by their speed to the fierce yellow of Barbie hair. These hot dolls, burning coals and melted pill-bottles seemed to be falling much faster than Anna; as they passed they matched her velocity for a moment, so that she felt she could have reached out and touched them; then they accelerated away and were quickly lost to sight.

In life, she knew, you might: Fall ill. Fall pregnant. Fall from grace.

God knows she had done all three of those. ‘Mine was a prolonged fall,’ she imagined herself explaining, ‘accompanied by much of the detritus I thought I’d left behind.’ She addressed the cat: ‘Name your jouissance.’

As she fell, she was aware of her arms waving slowly and bonelessly. Her legs pedalled. The sensation of falling was, she thought, much the same as that of treading water: the more you struggled the less control you maintained. Your heart rate increased, all the effort went to waste. You felt closer to drowning. It was a mistake to allow that idea in. The most important distinction of childhood is the one between falling asleep and falling as death. Long before she had fallen into anorexia, or read Milton on the fall from dawn to dewy eve, or fallen victim to Michael Kearney, Anna had been afraid to fall asleep. As soon as she recognised that, she began to struggle. There followed predictable moments of panic, flickering and buzzing on all sides, anguished flashes of light, after which she found herself in an echoing space, the nature of which she would have been hard put to describe.