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Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

‘Oh, Rig!’ it said, taking his hands and laughing up at him. Its feet were bare. ‘What have you got for us this time!’

It winked. Raw white light poured out its eyes, mouth and nose. Then it seemed to break up into a shower of sparks and enter the machine. Musical sounds emerged. A single awed voice said: ‘Strange forces are at work here.’

‘For fuck’s sake, Case,’ Gaines said. ‘Let’s just get on with it.’

Case’s people pressed the tit.

For a moment nothing happened. Then the policewoman jumped off the table, swaggered three paces away from it and attempted to switch on her tailoring. Whatever Gaines had done to her switched it off again.

She shouted angrily and tried again, and was switched off again. Visual records showed two or three iterations of this behaviour occurring in a single five-second period, as the assistant’s housekeeping systems laid new neural pathways around the blocks put in by Gaines. Learning rates were impressive but capped out quickly: within two minutes she was able to remain overdriven for periods up to twelve seconds, but her repertoire – and her range – of movements became fixed. Anxiety pushed the repertoire through several iterations, during which the subject was observed to:

Jump off the cutting table (once); crouch on the floor and move her head rapidly side to side, emitting active sonar between 200 and 1000 kHz (three times); perform other target-seeking behaviours (twice); become aware of the Pearl in front of her (twice); vomit a white liquid (once); throw up her hands and shout something indistinct (four times); turn left and run three paces (four times); turn left and run four paces (three times); decelerate abruptly (every time); and scream (every time).

Somebody laughed.

‘Stop that,’ said Case.

Overdriven movement registered as the usual mucoid blur. Waste heat systems undervented, raising the subject’s body temperature slightly above operating norms at 110 degrees fahrenheit; cortisol, androstenedione and estradiol levels rose sharply. After the fourth iteration, a suite of unplanned arm-movements began to be present. No one was able to explain this.