Back Empty Space
Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

This gigantic uproar, resonating through million-cubic-parsec cavities in the constituent gas, is the citizen journalism of the Tract; the loops and scribbles left by the shockfronts are its headlines. So for Imps van Sant’s instruments the news was not the destruction of Panamax IV. It was a series of discordant and complex groans 60 octaves below middle C.

‘Fuck,’ said Imps, who had never heard anything like it.

Sometimes your situation becomes too plain to you. Strange forces are at work. Imps tore off the headphones and beat them against the instrument panel until the bakelite cracked: the Tract seemed to keep on roaring at him anyway, like a huge face, its expression indescribable in human terms. Rage, elation, despair – even, he thought, some kind of vast weird parental love. It was all of those things and none of them. As for the physics: no one had ever had any idea of that. Some people said it was the physics of the early universe, still running in a leaky envelope, a cyst caught in a very long moment of bursting – the right physics but not in its right time. Imps didn’t know. He didn’t want to know. To him it was the physics of a face. He leaned back from the console and rubbed his eyes. He thought he might try and have a shower, then a beer. He was just lumbering up out of his chair when he heard a whisper from the broken headset. He grabbed it up.

‘Hello?’

George the gene tailor lay where the assistant had left him in her room in GlobeTown, the blankets pulled up lovingly to his chin. George was dead, but not alone in that. Spaceships lit the room’s warm air, psychic blowback from their weird science reinscribing on the walls – in layers of swirled colours like graffiti – the thoughts and feelings of everyone who had expired there before he arrived. Did dead George take comfort from these maps, butterflies, and other partially-depicted items from alien worlds? Was he aware of the street below, flowering like a glass anemone against the steepening food gradient of the night? Rokit Dub basslines spreading as waves across the city? The bars and nuevo tango joints opening slowly, their facades pulsing and sucking? Even if he was, these things are so much cultural babble. If they want anything, the dead want a rest from all of that.