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Chapters (34)
  1. Cover
  2. Title page
  3. Dedication
  4. Epigraph
  5. 1 Organs
  6. 2 Hard Goods
  7. 3 Swimming with Eels
  8. 4 Givenchy
  9. 5 Archive Style
  10. 6 Skull Radio
  11. 7 England Calling
  12. 8 Rocket Jockeys
  13. 9 Emotional Signals Are Chemically Encoded in Tears
  14. 10 Down to the River
  15. 11 Empty Space
  16. 12 I Am Not Renoko!
  17. 13 Eaten by Dogs
  18. 14 Enantiodromic Zones
  19. 15 Random Acts of Downward Causation
  20. 16 Carshalton Shangri-La
  21. 17 Correlation States
  22. 18 It Takes Place in a Vacuum
  23. 19 Anyone Can Make a Mistake
  24. 20 Modern Luminescence
  25. 21 Everyone’s a VIP to Someone
  26. 22 The See-Not Gate
  27. 23 Heart Sounds & Bruits
  28. 24 Spike Train
  29. 25 Lowboy Orbits
  30. 26 Lizard People from Deep Time
  31. 27 The Medium is Not the Message
  32. 28 Lay Down Your Weary Tune
  33. Acknowledgements
  34. Also by M. John Harrison

Carrying a child: perhaps it was a dream about Marnie, perhaps it wasn’t. If, in the doctor’s consulting room, you acknowledged a dream like that, what might you be admitting to? You couldn’t be sure. Anna therefore kept it to herself. But it was always possible to be frank about her standard dream:

The unknown  woman  lay on the black marble floor in some vast echoing space, dressed in a Givenchy gown; someone very old, unchanging but not yet herself; someone, essentially, waiting to change. Sometimes there was a kind of leaden buzzing noise, less a noise in fact than something that had seeped into you as you dreamed. Or you might hear a kind of high, distant ringing inside the floor, a kind of tinnitus at the heart of things. Sometimes there was the sense of an audience: someone – it might be you, it might be not – had started  to clean her teeth then cut her wrists in a hotel bathroom, only then looking up to find tiers of fully-booked seats stretching up into darkness like a university lecture theatre. These were deranged but self-limiting images you could throw all day like sticks for Helen Alpert to chase – both doctor and patient got plenty of exercise out of that. So today Anna began refabricating a version of the dream she had once had while Michael was still alive, in which the first false-colour imagery of the Kefahuchi Tract – a new astronomical discovery for a brand new Millennium – had seemed to detach itself from the television screen and drift up into the dark air of their Boston motel room, where it hung like jewellery in a cheap illusion then slowly faded away. By that time the room was vast.

‘So exciting!’ exclaimed Dr Alpert. As a child – eight years old and full of joy – she had loved those pictures so much that she remembered  even now the lumbering  black cathode-ray  TV on which she had first seen them. They were less pictures than promises about the nature of the world, the rewards of study.

Anna – who, to the extent that she could remember the event at all, remembered it differently – could only shrug.