Back Elemental
Chapters (142)
  1. About the Author
  2. Title Page
  3. Dedication
  4. Epigraph
  5. NOTEBOOK 1
  6. Brukie’s Sandy
  7. April 1972
  8. 1
  9. May 1972
  10. 2
  11. 3
  12. June 1972
  13. 4
  14. July 1972
  15. 5
  16. 6
  17. 7
  18. 8
  19. October 1972
  20. 9
  21. 10
  22. 11
  23. October 1972
  24. 12
  25. December 1972
  26. 13
  27. December 1972
  28. 14
  29. December 1972
  30. NOTEBOOK 2
  31. Brukie’s Sandy
  32. January 1973
  33. 1
  34. 2
  35. 3
  36. 4
  37. 5
  38. 6
  39. March 1973
  40. 7
  41. 8
  42. 9
  43. 10
  44. April 1973
  45. 11
  46. 12
  47. 13
  48. 14
  49. June 1973
  50. 15
  51. July 1973
  52. 16
  53. 17
  54. 18
  55. 19
  56. August 1973
  57. 20
  58. 21
  59. August 1973
  60. 22
  61. 23
  62. 24
  63. August 1973
  64. 25
  65. August 1973
  66. 26
  67. August 1973
  68. 27
  69. NOTEBOOK 3
  70. Brukie’s Sandy
  71. March 1974
  72. 1
  73. 2
  74. 3
  75. 4
  76. 5
  77. April 1974
  78. 6
  79. 7
  80. June 1974
  81. 8
  82. July 1974
  83. 9
  84. August 1974
  85. 10
  86. August 1974
  87. 11
  88. October 1974
  89. 12
  90. October 1974
  91. 13
  92. October 1974
  93. October 1974
  94. 14
  95. October 1974
  96. 15
  97. 16
  98. November 1974
  99. 17
  100. November 1974
  101. December 1974
  102. CODA
  103. Brukie’s Sandy
  104. 1
  105. 2
  106. 3
  107. 4
  108. 5
  109. 6
  110. 7
  111. 8
  112. 9
  113. 10
  114. 11
  115. 12
  116. 13
  117. 14
  118. 15
  119. 16
  120. 17
  121. 18
  122. 19
  123. 20
  124. 21
  125. 22
  126. 23
  127. 24
  128. 25
  129. 26
  130. 27
  131. April 1975
  132. Brukie’s Sandy
  133. 28
  134. 29
  135. 30
  136. 31
  137. 32
  138. 33
  139. Glossary
  140. Note
  141. Acknowledgments
  142. Works Cited

Laura looks around the room as if for the first time. Imagine emerging from a void into the shock of this singular space. A blur of moving figures, fixed shapes going in and out of focus, metal and white linen and digital numbers blinking green. Conversations among staff—lives going on as normal—and the realisation that you are the centre of everything and you are nothing, and it matters that you can think but what you think does not matter. Eyes but no faces. Arms without hands. An occasional laugh, the burr of a phone, the gush of water from a tap. Low-pitched emissions from machines. A persistent, terrible pain, source unknown, suddenly raging violent, until it releases and you drift, carried along, fade-in-fade-out, and you know there’s someone by you, someone you love, but you cannot speak and you should know why but you don’t, and where are you? What are you?

Mere speculation. She has no idea what Cooper is feeling. But it’s not difficult to guess what he would want to know.

Cooper …? she ventures.

A minuscule movement of his head. He’s listening.

She tells him where he is. She tells him why. And she tells him his Avril is OK.

She will not tell him that love is as fragile as a butterfly, that everything disintegrates, nothing lasts.

~

A young woman arrives with what looks like a tub of sewing materials. She introduces herself as Tara and shows Laura a sample of fabric for the pressure suit Cooper will wear twenty-three hours a day for more than a year, perhaps several years.

Laura blanches, and points to the door of the ICU; she doesn’t want to have this conversation in front of Cooper.

It looks like lycra, she says in a low voice.

You’re right, Mrs Ellery. Tara holds up the swatch, lays it across Laura’s arm. Feel it. A nylon–lycra blend. Very soft, but strong. I use silk thread to stitch the pieces so everything’s smooth, no irritations.

Laura glances over at Cooper’s dressings, which protect the newly growing skin knitting itself between the spray-on cells.

Tara guesses what she’s thinking. The grafts are delicate, but soon they’ll have taken well enough for the pressure suit, and it will help to keep the tissue pliable and smooth.

Isn’t it painful?

Getting it on and off is, yes, but he’ll have extra meds for that. And once it’s on, and he’s used to it, he won’t feel comfortable without it. She smiles at Laura’s disbelieving face. Honestly. It’s what they say. Every burns patient I’ve worked with.

How long before he starts wearing the suit?

After I take his measurements, it’s about four days to make it. Then it’s up to the team to say when he’s ready.