Chapters (113)
- Title Page
- Copyright Page
- Introduction
- A BOY’S WILL
- INTO MY OWN
- GHOST HOUSE
- MY NOVEMBER GUEST
- LOVE AND A QUESTION
- A LATE WALK
- STARS
- STORM FEAR
- WIND AND WINDOW FLOWER
- TO THE THAWING WIND
- A PRAYER IN SPRING
- FLOWER-GATHERING
- ROSE POGONIAS
- ASKING FOR ROSES
- WAITING
- IN A VALE
- A DREAM PANG
- IN NEGLECT
- THE VANTAGE POINT
- MOWING
- GOING FOR WATER
- REVELATION
- THE TRIAL BY EXISTENCE
- IN EQUAL SACRIFICE
- THE TUFT OF FLOWERS
- SPOILS OF THE DEAD
- PAN WITH US
- THE DEMIURGE’S LAUGH
- Now CLOSE THE WINDOWS
- A LINE—STORM SONG
- OCTOBER
- MY BUTTERFLY
- RELUCTANCE
- NORTH OF BOSTON
- THE PASTURE
- MENDING WALL
- THE DEATH OF THE HIRED MAN
- THE MOUNTAIN
- A HUNDRED COLLARS
- HOME BURIAL
- THE BLACK COTTAGE
- BLUEBERRIES
- A SERVANT TO SERVANTS
- AFTER APPLE-PICKING
- THE CODE
- THE GENERATIONS OF MEN
- THE HOUSEKEEPER
- THE FEAR
- THE SELF—SEEKER
- THE WOOD-PILE
- GOOD HOURS
- MOUNTAIN INTERVAL
- THE ROAD NOT TAKEN
- CHRISTMAS TREES
- AN OLD MAN’S WINTER NIGHT
- A PATCH OF OLD SNOW
- IN THE HOME STRETCH
- THE TELEPHONE
- MEETING AND PASSING
- HYLA BROOK
- THE OVEN BIRD
- BOND AND FREE
- BIRCHES
- PEA BRUSH
- PUTTING IN THE SEED
- A TIME TO TALK
- THE COW IN APPLE TIME
- AN ENCOUNTER
- RANGE-FINDING
- LONELINESS
- THE BONFIRE
- A GIRL’S GARDEN
- THE EXPOSED NEST
- “OUT, OUT——”
- BROWN’S DESCENT
- THE GUM-GATHERER
- THE LINE-GANG
- THE VANISHING RED
- SNOW
- THE SOUND OF THE TREES
- POEMS TO 1922 (LATER PUBLISHED IN NEW HAMPSHIRE)
- A STAR IN A STONE-BOAT
- THE CENSUS-TAKER
- MAPLE
- THE AX-HELVE
- THE GRINDSTONE
- PAUL’S WIFE
- WILD GRAPES
- PLACE FOR A THIRD
- I
- FIRE AND ICE
- DUST OF SNOW
- To E. T.
- THE AIM WAS SONG
- FOR ONCE, THEN, SOMETHING
- BLUE-BUTTERFLY DAY
- THE ONSET
- GOOD-BY AND KEEP COLD
- NOT TO KEEP
- A BROOK IN THE CITY
- EVENING IN A SUGAR ORCHARD
- THE VALLEY’S SINGING DAY
- MISGIVING
- A HILLSIDE THAW
- PLOWMEN
- ON A TREE FALLEN ACROSS THE ROAD
- THE LOCKLESS DOOR
- THE NEED OF BEING VERSED IN COUNTRY THINGS
- EXPLANATORY NOTES
- INDEX OF TITLES AND FIRST LINES
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”
“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”
“Let him talk, Helen, and perhaps he’ll stay.”
“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”
“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”
“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”