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Chapters (61)
  1. Copyright
  2. Dedication
  3. Epigraph
  4. Map of The Wastes
  5. I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. II
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. III
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Chapter Twenty-Five
  33. Chapter Twenty-Six
  34. Chapter Twenty-Seven
  35. Chapter Twenty-Eight
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. IV
  40. Chapter Thirty-Two
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Chapter Thirty-Five
  44. Chapter Thirty-Six
  45. Chapter Thirty-Seven
  46. Chapter Thirty-Eight
  47. Chapter Thirty-Nine
  48. Chapter Forty
  49. V
  50. Chapter Forty-One
  51. Chapter Forty-Two
  52. Chapter Forty-Three
  53. Chapter Forty-Four
  54. Chapter Forty-Five
  55. Acknowledgments
  56. Sample Chapter from ALL THESE MONSTERS
  57. 1
  58. Buy the Book
  59. Must-Read Sci-Fi and Fantasy Books
  60. About the Author
  61. Connect with HMH on Social Media

“The op manifest is on the hard drive. I marked who died in the uprising as best I could, as well as who was aboard our ship when they bailed. Lastly, here’s a shot of those bastards leaving. It was the last bit of footage Eden’s topside cam captured.”

The black window changes to a view of the wastes. In the distance, a winged tubelike shape hovers in the air, floating in the most unnatural manner I have ever seen. Unlike a bird, its wings are rigid, and it moves faster than any bird can travel, drawn up by an invisible thread. Something falls from it, moving closer and closer to us, the viewers. It fills the whole window, and everything shutters and splinters, hundreds of colors streaking across the frame. Then it goes dark.

“I think that says just about everything.”

General Amory falls silent.

The window stays dark.

There is nothing else.

I push my chair away from the table, feeling sick. The truth slides into place, Amory’s story reshaping my world.

There is no such thing as the gods touched. The stars the General collects are just tech that was put into the heads of prisoners ages ago to control them. There are no gods either. Amory made them up. He invented them to encourage the people to leave Eden, to eke out a living, to keep surviving.

They must have left Eden and never looked back. They took what they needed, including the jars Amory mentioned, a resource we still use to this day. They left the malfunctioning mag-rifles and took the Old World rifles we’ve since modified to shoot black powder, and they traveled south and east. To the Barrel, Powder Town, Alakali Lake, the coast. They made do and kept waiting for the gods to come back, and somewhere along the way they began to whisper about a paradise—a haven where life was easy and evil could be locked out.

When my pack’s ancestors found a map in a deserted rover, they thought it led to this forgotten paradise. But it just led back here, to Eden. To this bunker. To the truth that died with Amory:

There is no Verdant.

It’s a giant scudding lie.

It never existed.

My heart ratchets wildly. I can’t breathe. I need air.

I turn away from Asher, vaguely aware that he’s calling my name. I sprint past Reed. Bolt into the hall. Climb the stairs. Scramble up the rubble. Tumble out into the setting sun. Heat envelopes me, and the wind whips dirt at my face. Dirt and grit and grime, endless and everywhere, as far as the eye can see.

I was born of this dust, and I am never going to escape it. I’m going to die right here, starved in this barren wasteland, on the threshold of the Verdant that never was.