Back Diwata
Chapters (52)
  1. Title Page
  2. Dedication
  3. A GENESIS OF WE, CLEAVED
  4. THE BAMBOO’S INSOMNIA
  5. 1.
  6. POLYGLOT INCANTATION
  7. HUMMINGBIRD DIWATA
  8. EL MÁS SUPREMO
  9. MANILA MANGO
  10. AGAIN, SHE TELLS THE FIRST STORY
  11. UPLAND DANCE
  12. A PARABLE
  13. DUYONG 1
  14. DUYONG 2
  15. DUYONG 3
  16. DUYONG 4
  17. DUYONG 5
  18. DRAGONFLIES
  19. GARDEN
  20. ESTUARY
  21. JUNEAU
  22. ESTUARY 2
  23. 1.
  24. 1.
  25. SEA INCANTATION
  26. EVE SPEAKS
  27. THE BAMBOO’S INSOMNIA 2
  28. CROSSING
  29. VISITATION
  30. 1.
  31. A LITTLE BIT ABOUT LOLA ILANG
  32. PANANAGHOY
  33. PASIG
  34. HOW I NO LONGER BELIEVE IN PIOUS WOMEN
  35. SHE LAMENTS UNNUMBERED LOSSES
  36. A CHORUS OF VILLAGERS SING A SONG FROM ANOTHER TIME NOW ONLY A MEMORY
  37. THE VILLAGERS SING OF THE WOMAN WHO BECOMES A WAVE WHO BECOMES THE WATER WHO ...
  38. EVE SPEAKS 2
  39. IN THE CITY, A NEW CONGREGATION FINDS HER
  40. EVE’S AUBADE
  41. HAVING BEEN CAST, EVE IMPLORES
  42. HAVING BEEN CAST, EVE IMPLORES 2
  43. MEDICINE SONG
  44. WHY GIRLS DO NOT SPEAK
  45. TOCAYA
  46. ASWANG
  47. NOTES
  48. Acknowledgements
  49. ABOUT THE AUTHOR
  50. BOA EDITIONS, LTD. AMERICAN POETS CONTINUUM SERIES
  51. COLOPHON
  52. Copyright Page

Were I to assign us color, we would be mood ring, and then I would understand how heat and pressure make us glow bright crimson in our faux gold casing, how blood makes us murky aquamarine. Think of your pulse, beneath an undulating mirror of sky, think of salt crystallizing upon thighs and hands and lips, feathery seagrass tickling the soles of our feet. Even the coolest freshwater springs are momentary, dissipating. How moonless winters and sunrises can be held hostage, how nothing touches you. How this causes you to forget you are standing. How you are drowning. How you cannot feel your lungs. How the sky refuses to give its light to you. How you have forgotten how to breathe.

Tell me how your body sustains itself, how your rib cage is beyond bursting, how you still walk one foot in front of the next, how you count and name, count and name. How these words are still foreign sounds to you. How your skin still warms you, how your pupils still respond to movement. How you are a living shadow, a mountain echo. Tell me how you can possibly need, and how you can possibly need from me.

Were I to assign you color, you would be opaque, a fine slice of opal beneath the moon’s veil. Were I to touch you, you’d shatter, and crumble into jasmine-scented powder. I would gather you beneath my fingernails, dust my love lines with you. Lover, I would break you. Lover, I will break you. Let there be the veil then, embroidered with dream flowers, petals resembling moths, serpents, leaves like clouds, unnameable desires. Let me always glance at empty doorways, knowing the movements beyond these are you drawing near.

Let this be the natural law—Lover, I will break you and compose a symphony with your bones. Of what remains, I shall grind into dust and mix with rain. Lover, do not come near, for I see story in your broken parts. Lover, do not promise, for when you do, I come to loathe words. Lover, do not speak, for what you say is vapor.

So here have I become the morning, and this is why water, and why jeweled skies, and why the night, and how silver makes song. Lover, did you not know I wrote my own creation story? Did you not know we all do.

THE BAMBOO’S INSOMNIA 2

THE BAMBOO’S INSOMNIA 2

Once upon a time, there was a seed, the tiniest speck in a dark sea of soil. But this seed did not know he was a seed; he was smaller than a fish eye. No light penetrated the dark soil, and so he broke himself open, and he stretched parts of himself into this soil, grabbed a hold of it and pushed himself upward. Lightbound, he pushed and grew into a tangle of eyes and hair and tendrils, thickening.