Back Diwata
Chapters (52)
  1. Title Page
  2. Dedication
  3. A GENESIS OF WE, CLEAVED
  4. THE BAMBOO’S INSOMNIA
  5. 1.
  6. POLYGLOT INCANTATION
  7. HUMMINGBIRD DIWATA
  8. EL MÁS SUPREMO
  9. MANILA MANGO
  10. AGAIN, SHE TELLS THE FIRST STORY
  11. UPLAND DANCE
  12. A PARABLE
  13. DUYONG 1
  14. DUYONG 2
  15. DUYONG 3
  16. DUYONG 4
  17. DUYONG 5
  18. DRAGONFLIES
  19. GARDEN
  20. ESTUARY
  21. JUNEAU
  22. ESTUARY 2
  23. 1.
  24. 1.
  25. SEA INCANTATION
  26. EVE SPEAKS
  27. THE BAMBOO’S INSOMNIA 2
  28. CROSSING
  29. VISITATION
  30. 1.
  31. A LITTLE BIT ABOUT LOLA ILANG
  32. PANANAGHOY
  33. PASIG
  34. HOW I NO LONGER BELIEVE IN PIOUS WOMEN
  35. SHE LAMENTS UNNUMBERED LOSSES
  36. A CHORUS OF VILLAGERS SING A SONG FROM ANOTHER TIME NOW ONLY A MEMORY
  37. THE VILLAGERS SING OF THE WOMAN WHO BECOMES A WAVE WHO BECOMES THE WATER WHO ...
  38. EVE SPEAKS 2
  39. IN THE CITY, A NEW CONGREGATION FINDS HER
  40. EVE’S AUBADE
  41. HAVING BEEN CAST, EVE IMPLORES
  42. HAVING BEEN CAST, EVE IMPLORES 2
  43. MEDICINE SONG
  44. WHY GIRLS DO NOT SPEAK
  45. TOCAYA
  46. ASWANG
  47. NOTES
  48. Acknowledgements
  49. ABOUT THE AUTHOR
  50. BOA EDITIONS, LTD. AMERICAN POETS CONTINUUM SERIES
  51. COLOPHON
  52. Copyright Page

We bring her tobacco when she calls shrill bird trill carried upon air as though her voice were a body’s warm rib cage we could wrap our arms around tight. We drop our weaving, we leave our kitchens. Elders once brought her tobacco rolled and bound with hemp; now we bring bulk carton Marlboros. Once, spirits fresh in glass jars; now Spanish brandy, limes, guava, and yams in baskets, salted fish in bundles. Now she is old but this firelight glows upon the face of a woman whose skin is sunned and taut; in her wide eyes we see sharp Lawin gaze, in her eyes we see sky. Her dancing wrist bones so delicate, as if fine fingers have known no field nor farmwork.

She has taken a blade to her own hair, once hung thick to her waistline, now falling in her eyes in jagged tresses, now exposing earlobes and neckline, her rough woven white blouse, its polished bone clasp undone, exposing one shoulder. She is young in the night’s firelight though we dare not call her maiden. Our mothers say she snares others’ husbands. Our grandmothers whisper her father a bird of prey. Our fathers lament she is the one they could not marry for she would not have them. She scoffed at offerings from the hunt, from the river, whose warm humid nights filled with serenade. Raising one index finger to her lips in a shhh, she confesses she has many times swooned to the verses of lovers under slivers of moon, ribbons of stars arranged into hunter and bow. Smoke curls from her lips, her eyes are closing, the diwata has arrived.

2.

Poet, yes. A conjurer of words, some have said, for I am the keeper of our words. I birth them and care for them, and when these words grow strong, a bridge. Just like that, a bridge. Those who come to listen to my stories, they fall into waking dream, hovering between the very earth upon which they stand, and the place where the spirits dwell.

Story, yes, for that is what poets make, story into song. We interpret what the birds say, what the spirits of the wind speak. They step into my dreams. They come to me in firelight, when I bathe in the river, and when I bed my lovers. They tell me things no human voice has spoken, secrets hidden in mountain caves, steel and blackened stone, the noise of machines. But the birds, yes, the birds, they tell me the sky.

And what of the sky, sighs the wind, for if not for me, you could not know her touch.

3.