Back Distress
Chapters (38)
  1. Title Page
  2. Technolibération
  3. PART ONE
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. PART TWO
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. PART THREE
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. PART FOUR
  35. Chapter 29
  36. Chapter 30
  37. Epilogue
  38. Author’s Note

“You’re going to show a man dying in agony on an operating table – captured in the act of realizing that everything which brought him back to life is guaranteed to kill him?” She spoke calmly; she sounded more incredulous than outraged.

I said, “What do you want me to use instead? A dramatization, where everything goes according to plan?”

“No. But why not a dramatization where everything goes wrong, in exactly the way it did last night?”

“ Why? It’s already happened, and I’ve already filmed it. Who benefits from a reconstruction?”

“The victim’s family. For a start.”

I thought: Possibly. But would a reconstruction really spare their feelings? And no one was going to force them to watch the documentary, in either case.

I said, “Be reasonable. This is powerful stuff; I can’t just throw it away. And I have every right to use it. I had permission to be there – from the cops, from the hospital. And I’ll get the family’s clearance—”

“You mean the network’s lawyers will brow-beat them into signing some kind of waiver ‘in the public interest.’”

I had no answer to that; it was exactly what would happen. I said, “You’re the one who just declared that revival is obscene. You want to see it banned? This can only help your cause. It’s as good a dose of frankenscience as any dumb luddite could ask for.”

Gina looked stung; I couldn’t tell if she was faking. She said, “I have a doctorate in materials science, you peasant, so don’t call me —”

“I didn’t. You know what I meant.”

“If anyone’s a luddite, you are. This entire project is beginning to sound like Edenite propaganda. ‘ Junk DNA !’ What’s the subtitle? ‘The biotechnology nightmare?’”

“Close.”

“What I don’t understand is why you couldn’t include a single positive story—”

I said wearily, “We’ve been over this before. It’s not up to me. The networks won’t buy anything unless there’s an angle. In this case, the downside of biotech. That’s the choice of subject, that’s what it’s about. It isn’t meant to be ‘balanced.’ Balance confuses the marketing people; you can’t hype something which contains two contradictory messages. But at least it might counteract all the hymns of praise to genetic engineering everyone’s been gagging on lately. And – taken along with everything else – it does show the whole picture. By adding what they’ve all left out.”