Chapters (30)
- Cover
- Brian Bilston
- January
- Monday January 1st
- February
- Thursday February 1st
- March
- Thursday March 1st
- April
- Sunday April 1st
- May
- Tuesday May 1st
- June
- Friday June 1st
- July
- Sunday July 1st
- August
- Wednesday August 1st
- September
- Saturday September 1st
- October
- Monday October 1st
- November
- Thursday November 1st
- December
- Saturday December 1st
- A Note about the Poems
- Acknowledgements
- About the Author
- Also by Brian Bilston
| Experience | |
| Current Position |
Sitting on a sofa is where you’ll find me at, while writing this CV trapped beneath a cat. |
| Previous Positions | |
| Recent times: |
Supine. Horizontal. Prone. Lying prostrate on my own. Sprawled. Reclined. At my ease. Angled (one eighty degrees), |
| Before that: |
Slouched. Slumped. Bent-backed. Stooped. Hunched. Humped. Bowed and Drooped. |
| Even earlier: |
Walking. Crawling. Catatonic. Sitting. Lying. Embryonic. |
| Education |
I hold a lower-second class combined honours degree in Theoretical Woodwork and Sociocultural Apology. |
| Hobbies & Interests |
Music. Reading. Crosswords. Memes. Football. Murder. Custard Creams. |
I suppressed nearly all the references to poetry. Most employers won’t even look at anyone with such a background; there is a strong correlation with untrustworthiness and unreliability.
Tuesday August 21st
‘Do poets use LinkedIn?’ was a question I’d often pondered in quieter moments, along with:
‘Do Poets drive?’ (conclusion: not if they can help it)
‘Should poets drive?’ (conclusion: probably not)
and ‘Who would win in a fight between Auden and Eliot?’ (conclusion: unsure – although it would probably end not with a bang but a whimper).
But as I looked today at my LinkedIn account for the first time in five years, the answer seems unequivocally yes, if Toby Salt is anything to go by. He has 500+ connections, including radio and television producers, newspaper and poetry magazine editors, arts correspondents, publishers. I have three connections: Tomas, Timothy Pain from Jenkins & Pain Funeral Directors and Cora Nesmith from the Mongolian Yurt Company.
Wednesday August 22nd
I was idly perusing the job pages today, minding my own business, when I was disturbed by an unwelcome intruder in my kitchen.
Radio 4 had been on all morning and I’d already absorbed programmes on the Dewey Decimal classification system and a debate concerning the ethics of driverless cars. But the schedule appeared to have moved on, and a vaguely familiar voice emerged over the airwaves, amidst background sounds of stamping, hammering and whirring. I heard the words ‘This Bridge No Hands Shall Cleave’ and I realised I was listening to the nasal tones of Django from Shooting from the Hip. It was a programme on the history of letterpress printing and Django was talking from a print shop in Swansea, where Shooting from the Hip produced their artisanal, hand-crafted special editions.
‘Letterpress printing is one of the great lost arts,’ he was saying. ‘In construction, it is as beautiful as a Toby Salt poem. First, one must—’
I switched it off in irritation and took a look at my phone. A notification on LinkedIn! I’d barely finished ‘optimising’ my LinkedIn page – or making it fractionally less pessimised: had I worked some magic already?
I took a closer look and sighed deeply: the message was headed Stuart Mould has invited you to join his professional network.
Please send help! I am being assailed in my own home.