Back Diary of a Somebody
Chapters (30)
  1. Cover
  2. Brian Bilston
  3. January
  4. Monday January 1st
  5. February
  6. Thursday February 1st
  7. March
  8. Thursday March 1st
  9. April
  10. Sunday April 1st
  11. May
  12. Tuesday May 1st
  13. June
  14. Friday June 1st
  15. July
  16. Sunday July 1st
  17. August
  18. Wednesday August 1st
  19. September
  20. Saturday September 1st
  21. October
  22. Monday October 1st
  23. November
  24. Thursday November 1st
  25. December
  26. Saturday December 1st
  27. A Note about the Poems
  28. Acknowledgements
  29. About the Author
  30. Also by Brian Bilston
Experience
Current Position

Sitting on a sofa

is where you’ll find me at,

while writing this CV

trapped beneath a cat.

Previous Positions
Recent times:

Supine. Horizontal. Prone.

Lying prostrate on my own.

Sprawled. Reclined. At my ease.

Angled (one eighty degrees),

Before that:

Slouched. Slumped. Bent-backed. Stooped.

Hunched. Humped. Bowed and Drooped.

Even earlier:

Walking. Crawling. Catatonic.

Sitting. Lying. Embryonic.

Education

I hold a lower-second class

combined honours degree

in Theoretical Woodwork

and Sociocultural Apology.

Hobbies & Interests

Music. Reading. Crosswords. Memes.

Football. Murder. Custard Creams.

I suppressed nearly all the references to poetry. Most employers won’t even look at anyone with such a background; there is a strong correlation with untrustworthiness and unreliability.

Tuesday August 21st

‘Do poets use LinkedIn?’ was a question I’d often pondered in quieter moments, along with:

‘Do Poets drive?’ (conclusion: not if they can help it)

‘Should poets drive?’ (conclusion: probably not)

and ‘Who would win in a fight between Auden and Eliot?’ (conclusion: unsure – although it would probably end not with a bang but a whimper).

But as I looked today at my LinkedIn account for the first time in five years, the answer seems unequivocally yes, if Toby Salt is anything to go by. He has 500+ connections, including radio and television producers, newspaper and poetry magazine editors, arts correspondents, publishers. I have three connections: Tomas, Timothy Pain from Jenkins & Pain Funeral Directors and Cora Nesmith from the Mongolian Yurt Company.

Wednesday August 22nd

I was idly perusing the job pages today, minding my own business, when I was disturbed by an unwelcome intruder in my kitchen.

Radio 4 had been on all morning and I’d already absorbed programmes on the Dewey Decimal classification system and a debate concerning the ethics of driverless cars. But the schedule appeared to have moved on, and a vaguely familiar voice emerged over the airwaves, amidst background sounds of stamping, hammering and whirring. I heard the words ‘This Bridge No Hands Shall Cleave’ and I realised I was listening to the nasal tones of Django from Shooting from the Hip. It was a programme on the history of letterpress printing and Django was talking from a print shop in Swansea, where Shooting from the Hip produced their artisanal, hand-crafted special editions.

‘Letterpress printing is one of the great lost arts,’ he was saying. ‘In construction, it is as beautiful as a Toby Salt poem. First, one must—’

I switched it off in irritation and took a look at my phone. A notification on LinkedIn! I’d barely finished ‘optimising’ my LinkedIn page – or making it fractionally less pessimised: had I worked some magic already?

I took a closer look and sighed deeply: the message was headed Stuart Mould has invited you to join his professional network.

Please send help! I am being assailed in my own home.

Thursday August 23rd