"You're at one," he told me. So I showed him my credentials and he looked at them very carefully, dripping canal water onto the laminated picture. Finally he nodded and said, "Okay, Morgan, you're out of here." From the Hummer driver's reaction you might have thought the cop had suggested setting the Pope on fire. "You can't let that son of a bitch just go like that!" he screeched. "That goddamn asshole dinged up my car!" And the cop, bless him, simply stared at the man, dripped a little more water, and said, "May I see your license and registration, sir?" It seemed like a wonderful exit line, and I took advantage of it.

My poor battered car was making very unhappy noises, but I put it on the road to the university anyway-there really was no other choice. No matter how badly damaged it was, it would have to get me there. And it made me feel a certain kinship with my car. Here we were, two splendidly built pieces of machinery, hammered out of our original beautiful condition by circumstances beyond our control. It was a wonderful theme for self-pity, and I indulged it for several minutes. The anger I had felt only a few minutes ago had leeched away, dripped onto the lawn like canal water off the cop. Watching the Avalon's driver swim to the far side, climb out, and walk away had been in the same spirit as everything else lately; get a little bit close and then have the rug pulled out from under your feet.

And now there was a new body, and we hadn't even figured out what to do about the others yet. It was making us look like the greyhounds at a dog track, chasing after a fake rabbit that is always just a little bit too far ahead, jerked tantalizingly away every time the poor dog thinks he's about to get it in his teeth.

There were two squad cars at the university ahead of me, and the four officers had already cordoned off the area around the Lowe Art Museum and pushed back the growing crowd. A squat, powerful-looking cop with a shaved head came over to meet me, and pointed toward the back of the building.