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And in the second place, the expression on the woman's face was quite familiar to me from my own artistic endeavors. It was genuine pain, I was quite sure, real and extreme agony —and yet, in all my extensive research I had never before encountered someone willing to inflict this much of it on themselves. No wonder the Passenger was having a fit of the giggles. Not that I found it funny; if this sort of thing took hold I would have to find a new hobby.
Still, it was an interesting twist, and I might have been more than willing to look at the other video clips under ordinary circumstances.
But it did seem to me that I had some kind of responsibility toward Rita, and this was clearly not the sort of thing she could see and still maintain a sunny outlook. “Come on,” I said. “Let's go get some dessert.”
But she just shook her head and repeated, “It has to be a trick,” and she moved on to the next screen.
I moved with her and was rewarded with another fifteen second loop of the young woman in the same costume. In this one she actually appeared to be removing a chunk of flesh from her leg. Her expression here moved into dumb and endless agony, as if the pain had gone on long enough that she was used to it, but it still hurt.
Strangely enough, this expression reminded me of the face of the woman at the end of a movie Vince Masuoka had shown at my bachelor party -1 believe it was called Frat House Gang Bang. There was a gleam of I showed you” satisfaction showing through the fatigue and the pain as she looked down at the six-inch patch between her knee and her shin where all the flesh was peeled off to reveal the bone.
“Oh my God,” Rita murmured. And for some reason she continued to the next monitor.
I do not pretend to understand human beings. For the most part I try to maintain a logical outlook on life, which is usually a real disadvantage in trying to figure out what people really think they're doing. I mean, as far as I could tell, Rita truly was as sweet and pleasant and optimistic as Rebecca of Sunnybrook Farm. The sight of a dead cat beside the road could move her to tears.
And yet here she was, methodically moving through an exhibit that was clearly far worse than anything she had ever imagined. She knew that the next clip would be more of the same, graphic and appalling beyond belief. And yet, instead of sprinting for the exit she was calmly wanting more.
More people drifted in, and I watched them go through the same process of recognition and shock. The Passenger was clearly enjoying things, but to be perfectly truthful I was beginning to think that the whole affair was wearing a little thin. I couldn't really get into the spirit of the event and gain any sense of fun from the audience's suffering. After all, where was the point? Okay, Jennifer cut off pieces of her leg. So what? Why bother inflicting enormous pain on yourself when sooner or later Life would certainly get around to doing it for you? What did it prove? What happened next?