So why the sudden shyness? If something wicked transpired under our nose, I had come to expect a response beyond amusement.

It had not come. Therefore —nothing wicked had happened? That made even less sense, since we quite clearly had four very dead bodies.

It also meant that I was, apparently, on my own —and there was Deborah staring at me with a very hard and expectant glare. So back up a step, oh great and grim genius. Something was different about these killings, beyond the rather garish presentation of the bodies.

And presentation was exactly the right word —they were displayed in a way calculated to make maximum impact.

But on whom? Conventional wisdom in the psychopathic killer community would say that the more trouble you go to show off, the more you want an adoring audience. But it is also common knowledge that the police keep such sights under tight wraps —and even if they didn't, none of the news media would run pictures of such terrible things; believe me, I have looked.

So, who could the presentations be aimed at? The police? The forensics wonks? Me? None of those were likely, and beyond those and the three or four people who had discovered the bodies, nobody had seen anything, and there had been only the tremendous outcry from the entire state of Florida, desperate to save the tourist industry.

A thought snapped my eyes open, and there was Deborah staring at me like an Irish setter on point.

“What, goddamn it?” she said.

“What if this is what they want?” I said.

She stared at me for a moment, looking quite a bit like Cody and Astor when they've just woken up. “What's that mean?” she finally said.

“The first thing I thought about the bodies was that it wasn't about killing them. It was about playing with them afterwards. Displaying them.”

Debs snorted. “I remember. It still doesn't make any sense.”

“But it does” I said. “If somebody is trying to create an effect. To have an impact in some way. So look at it backwards —what impact has this already had?”

“Aside from getting media attention all over the world—”

“No, not aside from that. That is exactly what I mean.” She shook her head. “What?”

“What's wrong with media attention, sis? The whole world is looking at the Sunshine State —at Miami, tourist beacon to the world.”

“They're looking, and they're saying no fucking way am I going anywhere near that slaughter house” Deb said. “Come on, Dex, what's the fucking point? I told you —oh.” She frowned. “You're saying somebody did this to attack the tourist industry? The whole fucking state? That's fucking nuts.”

“You think somebody did this who isn't nuts, sis?”

“But who the hell would do that?” I don't know” I said. “California?”

“Come on, Dexter” she snarled. “It has to make sense. If somebody does this, they have to have some kind of motive.”

“Somebody with a grudge” I said, sounding a lot more certain than I felt.